查詢結果分析
來源資料
頁籤選單縮合
題 名 | 袁枚其人及其性靈說=Yuan Mei and His Theory of Spirit |
---|---|
作 者 | 余淑瑛; | 書刊名 | 嘉義技術學院學報 |
卷 期 | 58 1998.06[民87.06] |
頁 次 | 頁105-123 |
分類號 | 782.87 |
關鍵詞 | 袁枚; 性靈說; Yuan Mei; Theory of spirit; |
語 文 | 中文(Chinese) |
中文摘要 | 袁枚的「性靈說」在清代詩壇中,以抨擊復古模擬的詩論,強調個人獨特的情感 靈性,提出重情審美的文學藝術觀與當道相抗衡,而頗受矚目。「性靈說」內涵的探討有助 於文學視境的開拓,以及文學創作的導引,而袁枚獨特的性格與思想,放蕩不羈率性任真的 處世行徑,和其以情為本,掙脫傳統束縛的詩論,在當時的社會背景中,亦具有突破性的意 義和影響。 |
英文摘要 | In Ching Dynasty, Yuan Mei's works emphasize on the theory of "spirit". He criticized using imitation way on poetry writing. He advocates that spirit involved in poems is above everything. His proposal, different from those contemporary theories in poetry writing, makes him a celebrity. His "spirit" theory in poetry writing broadens the literature and offers a new guide on poetry writing. His unique character and thought, and his natural way of dealing things unties him from the traditional limitation on poetry writing. The way of his doing is admired a lot. |
本系統中英文摘要資訊取自各篇刊載內容。