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題 名 | A Study of Yeats's Later Poems in Relation to the Theories of the Mask and the Phases of the Moon=葉慈後期詩之研究:後期詩與面具及月相之關係 |
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作 者 | 柯美雲; | 書刊名 | 英語語言與文學學刊 |
卷 期 | 2 1997.08[民86.08] |
頁 次 | 頁119-132 |
分類號 | 873.51 |
關鍵詞 | 面具; 月相; 反我; 存在和諧; 相對辯證論; The mask; The phases of the moon; Anti-self; Unity of being; Dialectics of contraries; |
語 文 | 英文(English) |
英文摘要 | 本研究探討葉慈後期詩與面具及月相等理論之關係。本研究分為三部份:第一部 份探討葉慈詩中的主題、象徵,及風格;第二部份探討面具及月相等理論;第三部份將上述 理論用於葉慈後期詩的詮釋。面具理論是葉慈的反我概念,亦即,渴望之物;月相理論是葉 慈的相對辯證論。雖然葉慈詩中及生活中的理想是一種所有對立皆消除的存在和諧,但是他 懷疑論的精對於這種浪漫的理想予以不斷的置疑,葉慈因此總是搖擺於兩種對立的觀念之間 。葉慈晚期最好的,同時也是最富感情的詩作便是來自他的搖擺不定。 three parts:the first part discusses the theme, symbol, and style in Yeats's poetry; the second part discusses the theory of the mask ant the theory of the phases of the moon; and third part applies the above theories to a reading of Yeats's later poems. The theory of the mask is Yeats's concept of anti-self, that is, his object of desire; the theory of the phases of the moon is Yeats's dialectics of contraries. Although Yeats's ideal both in poetry and in life is the state of Unity of Being where all the antinomies are resolved, his skepticism constantly puts this romantic ideal in doubt. Thus he always vacillates between two opposite ideas. Yeats's finest, also most passionate, later poems come out of his vacillation. |
本系統中英文摘要資訊取自各篇刊載內容。