頁籤選單縮合
題名 | 儺舞「打赤鳥」的文化破譯--兼論「后羿射日」的神話事象=Cultural Analysis on "Hitting the Red Bird" Dance of Exorcising Demons--Also on the Myth Image of "Hou Yi's Shooting at the Sun" |
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作者 | 何根海; He, Genhai; |
期刊 | 中國文化研究所學報 |
出版日期 | 19970000 |
卷期 | 6 1997[民86.] |
頁次 | 頁617-634 |
分類號 | 982.522245 |
語文 | chi |
關鍵詞 | 儺舞; 神話; 安徽; 貴池; 儺戲; |
英文摘要 | The writer opines that "Hitting the Red Bird" dance of exorcising demons in Guichi, Anhui, the cultural residue of the myth "Hou Yi's shooting at the sun" in ancient times. "Hitting the Bird" is the rite of shooting at the sun. The mythology prototype of the Red Bird is the sun. I ecotype is the quail. It is the material carrier of the mountain people's primitive spirit. The mountain people's hitting and releasing the Red Bird is based on the drive of actual benefit, to expel heat, to pray for rain, to meet the need of food, to expel fire ghost and fire spirit, to drive away disaster and evil spirits, and it also carries other myth images. At the same time, "Hitting and releasing the Red Bird" is a kind of witchcraft. The intension of the dance has the nonlogical cultural adoption of both conformity and separation, which shows the mountain people's psychological image of approach- approach conflicts and the tendency of dualism. "Hitting the Red Bird" dance of exorcising demons is the carrier of national cultural objects spirit. It conceals the mountain people's primitive psychology and demand of value in the stage of natural worship and animal worship. It embodies profound historical and cultural reality. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。