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題名 | Staging Beyond Patriarchy: The Satanic Power Amplified in Churchill's Vinegar Tom=演「出」父權機制的桎梏:卡蘿.邱琪珥劇本「醋咪湯姆」中的陰騭力量 |
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作 者 | 黃裕惠; | 書刊名 | 世界新聞傳播學院人文學報 |
卷期 | 6 1997.01[民86.01] |
頁次 | 頁173-199 |
分類號 | 873.55 |
關鍵詞 | 卡蘿邱琪珥; 女劇作家; 女性主義劇場; 英國劇場; 醋咪湯姆; Caryl churchill; Woman playwright; Feminist theater; British theater; Vinegar Tom; |
語文 | 英文(English) |
中文摘要 | 《醋咪湯姆》是當代女性主義劇作家卡蘿.邱琪珥與魔鬼兵團(Monstrous Regiment)和合股劇團(Joint Stock)合作產生的劇本。劇作的原始構想來自合股劇團想要演出有關一六四0年代的英國革命,而魔鬼兵團要演出濫捕女巫事件。十七世紀基督教徒捕殺女巫的事件。邱琪珥注意到被殺的女巫都是社會邊緣人:老而無依的女人、窮人、性模式與常人不同的女人。許多傳統用草藥行醫的女人--產婆、巫醫兼心理醫生的醫療行為因為「專業的」男性醫療權威興起而被打壓、污名化。(Churchill 1985,172)邱琪珥譴責父權權威,重寫基督教、學術權威與民眾共謀、誣告弱女子的歷史事實,並加入黑人與猶太人的受難者,安排演員著現代服裝接唱劇本中歌謠部份,將背景拉至近代。本文循邱琪珥「章法」,再書寫《醋咪湯姆》劇中女人試圖存活、反抗失去理性的威權機制所產生的陰騭力量。 |
英文摘要 | Vinegar Tom is a play Churchill wrote in associate with the Fringe Theaters Joint Stock and Monstrous Regiment. They wrote it because by the time Joint Stock wanted to have a play about the English Revolution in the 1640s, and Monstrous Regiment thought they would like to do a play about witches. Churchill noted that "the women accused of witchcraft were often those on the edges of society, old, poor, single, sexually unconventional; the old herbal medical tradition of the cunning woman was suppressed by the rising professionalism of the male doctor." (Churchill 1985, 172) Churchill accused the patriarchal power, by rewriting the historical events, showing how the Christian and academic authorities united with the public to oppress the disempowered women. In order to make it a "modern" piece, Churchill put the blacks and Jews as sufferers, and made the actors sing the ballads in modern costume. This paper aims to celebrate the winsome form of Churchill's Vinegar Tom, trying to interpret the Satanic power that women possess to fight against the irrational and institutionalized authority. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。