頁籤選單縮合
題名 | Mail in Woman's Voice and Vice Versa:the Chinese and English Female-Persona Lyrics. A Response to Some Concepts in Feminist Criticism= |
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作者 | 古添洪; Ku, Time-hung; |
期刊 | Tamkang Review |
出版日期 | 19961200 |
卷期 | 27:2 民85.冬 |
頁次 | 頁183-207 |
分類號 | 815.1 |
語文 | eng |
關鍵詞 | Female-persona lyrics; Lyrics of boundoir complaint; Feminist criticism; Androgyny; Philosophy of t'ai-chi; Psychoanalytic modeling function; Li Po; Shelley; Todorov; Lyric genre; |
英文摘要 | The female-persona lyric is a newly defined genre by the present study, although the “speaking on-behalf-of the other” mode (代言體) has been the significant form of the lyrics of boudoir complaint (閨怨詩) in classical Chinese poetry. The genre is located in the space between the male poet and the female persona he assumes and is take as an instance in which the boundary between the feminine and the masculine is crossed over. The main ideas exercised in my argument are the concept of androgyny in contemporary feminist criticism and the Chinese philosophy of t’ai-chi (太極)- the focus is the psychoanalytic modeling function of the genre. Form this psychoanalytic perspective, the female-persona lyric is viewed as a simultaneous presentation of different voices: the voice of human species (the voice of the pre-Oedipal and the imaginary), the voice of gender (the lack and the discontentment of the masculine in the patriarchal society), and the voice of sympathy and guilt, alienation, and social injustice -in short, the voice of an androgynous subject, which always yearns for going beyond the gender. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。