頁籤選單縮合
| 題 名 | Abstracting the Nation in Kee Thuan Chye's 1984--Here and Now and the Big Purge: National Allegory or Modernist Theater? |
|---|---|
| 作 者 | Lim,Shirley Geok-lin; | 書刊名 | Tamkang Review |
| 卷 期 | 29:2 民87.冬 |
| 頁 次 | 頁119-142 |
| 分類號 | 838.6 |
| 關鍵詞 | National allegory; Alienation; Dramaturgy; Nation; Bumiputra; |
| 語 文 | 英文(English) |
| 英文摘要 | The Malaysian dramatist Kee Thuan Chye's plays disrupt the dominant narrative constructed by the Malaysian state of the nation as a Malay-centric, monocultural, monolingual society. Working with modernist dramaturgical devices, the plays work to denaturalize and demystify raced and classed ideologies that normalize social divisions and Malaysian real-politik and to argue for the reconstruction of a just Malaysian society. |
本系統中英文摘要資訊取自各篇刊載內容。