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題名 | 嶺南畫派宗師高劍父年青時之苦學獨行及革命事功 |
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作者姓名(中文) | 何錦燦; | 書刊名 | 華梵學報 |
卷期 | 2:1 1994.07[民83.07] |
頁次 | 頁1-15 |
分類號 | 940.99208 |
關鍵詞 | 高劍父; 困學知勉; 踽踽獨行; 參與民族革命; 國畫革命的原動力; Kao, Chien-Fu; Chinese painting reformation; National revolution; |
語文 | 中文(Chinese) |
中文摘要 | 高劍父(1879∼1951)於民國元年即倡導國畫革新。他與高奇�禳B陳樹人所創立 的嶺南畫派,目前與海上畫派、北京畫派鼎足而三,對民國美術的發展影響深遠。 高劍父出身寒微而深具美術天才。其早年史料向屬殘缺,本論文以高劍父手槁之原始資料, 配合近代、現代史料,經審慎之比對校勘、爬梳董理,以揭露其早年對美術不斷求進的苦心 孤詣、冒險犯難,再及於其體驗時艱,追隨 孫中山先生從事民族革命,在廣州設立革命機 關,組織支那暗殺團等史實。 高劍父畢生從事波瀾起伏的國畫改革,其革命精神,堅毅不拔的頑強鬥志,堪見於其自少而 壯的求學生涯及革命事功中磨練出來。 |
英文摘要 | Kao, Chien- Fu (1879-1951) lead the Chinese painting reformation in the early years of the Republic. He established the Ling- Nam School of Art with Kao, Chee- Feng and Chen, Shuh- Zang, and greatly influenced the development of the Art in the early years of Republic. Currently, the School is one of the three main schools of the art. Kao, Chien- Fu was born in a poor family but he had talent of art. Inadequate of his historical materials, this paper presented follows his original materials, modern history, and comtemporary history through careful comparison in order to demonstrate the contribution in the art and in the National revolution. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。