頁籤選單縮合
題名 | The Male Gaze and the Female Returning Gaze: The Representation of the Female Sexuality in Modern Chinese Literature |
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作者 | 明鳳英; | 書刊名 | Tamkang Review |
卷期 | 22:1-4 民80.秋-81.夏 |
頁次 | 頁177-194 |
分類號 | 820.908 |
關鍵詞 | Sexual politics; Sexual aesthetics; May Fourth movement; Unconscious; Sensationalist school; New sensationalist school; Marginality; Martin Buber; Freud; Feminine sensibility; |
語文 | 英文(English) |
英文摘要 | This essay develops a feminist perspective called “returning the gaze.” It discusses differences between early pre-May Fourth Movement writers and the “New Sensationalist” writer Mu Shiying (1912)-1940), Eileen Chang (“the first modern woman writer to represent female sexuality in Chinese literature”), and Li Ang (a post-modernist, feminist, writer from Taiwan). These newer writers examine the space made available for the female in a male dominated culture, and are generally more open-minded about sex than earlier writers. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。