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題 名 | 詩法即其兵法:明代中後期武將詩學義蘊探詮="The Art of Poetry Is Equal to the Art of War": A Study of Military Officers' Poetry during the Later Half of Ming Period |
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作 者 | 廖肇亨; | 書刊名 | 明代研究 |
卷 期 | 16 2011.06[民100.06] |
頁 次 | 頁29-56 |
分類號 | 821.09、821.09 |
關鍵詞 | 武將詩; 萬表; 戚繼光; 陳第; 詩法; 兵法; Military officer poetry; Wan Biao; Qi Ji-guang; Chen Di; Art of poetry; Shi fa; Art of war; Bing fa; |
語 文 | 中文(Chinese) |
中文摘要 | 明代武將詩人之眾,為明代中後期文學史及文化史的特殊現象。以文學史的角度來看,武將詩開創了新的美學典律;而從文化史的面向來看,則武將詩反映出兵學與當時詩風、文風、學風跨界書寫的文化特殊性。本文首先以錢謙益、湯顯祖等人論武將詩的說法,探討武將詩「詩法即其兵法」的美學理論。接著以明代中後期著名的武將而能詩者:萬表、戚繼光、陳第,蠡探武將詩所反映的價值理念與學術思潮,進一步探討武將詩所體現之明代中後期跨界展演的文化書寫,與經學、理學、佛教各種學術思想的交融滲透,此乃文化史中不可忽略的現象。此外,武將詩與明代格調派的詩學論述之依違關係,則呈現出詩學史上的意義。由是,本文最後為武將詩作一價值再探,認為武將的詩歌世界反映了當時歷史潮流與文化風尚,不僅帶入邊塞風物、朝政得失,更重要的是其提供了一種重新觀照文學定義與疆界的嶄新角度,摸索一種嶄新理論話語的可能性。 |
英文摘要 | This article focuses on the poetry of military officers in the middle and late Ming Dynasty. The poetry of military officers not only created a new canon of poetics, but also reflected the combination of the art of war, prose, and scholarship popular at the time. First, this study cites Qian Qian-yi and Tang Xian-zu's theories that the art of poetry is equal to the art of war. Next, the article explores the case studies of military officer poets Wan Biao, Qi Ji-guang and Chen Di, and analyzes their poetry which is infused with allusions to the Confucian Classics (jing xue), Neo-Confucianism (li xue) and Buddhism. In addition, military officers' poetry connects with the Ge-diao school, which is important in poetic history. Finally, this article re-evaluates military officers' poetry, concluding that it embodies historical and cultural currents of its time period, while also providing new definitions of literature. |
本系統中英文摘要資訊取自各篇刊載內容。