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頁籤選單縮合
題名 | 李漁戲曲在日本德川時代的流傳=The Spread of Li-Yu's Drama in Tokugawa Japan |
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作者 | 陳淑萍; | 書刊名 | 雲漢學刊 |
卷期 | 32 2016.03[民105.03] |
頁次 | 頁56-80 |
分類號 | 822 |
關鍵詞 | 李漁; 德川時代; 曲亭馬琴; 石川雅望; 舶載書目; Ly-Yu; Kyokute Bakin; Ishikawa Masamochi; Tokugawa; Hakusai Shomoku; |
語文 | 中文(Chinese) |
中文摘要 | 兩岸學者探索李漁戲曲的域外流傳,必定援引日本學者青木正兒的評點:「德川時代之人,苟言及中國戲曲,無有不立舉湖上笠翁者。」但笠翁的戲曲理論和戲曲作品在日本德川時代流傳的實況究竟如何?不是透過理論文本,而是假借和刻役者教本《新刻役者綱目》流傳。《蜃中樓》〈結蜃〉、〈雙訂〉二齣之原文與譯介,由此廣為傳播流通。德川時期演藝人員,以李漁戲曲節錄文本作為初學,逐步暸解中國戲劇,故言及中國戲曲,能立即標舉湖上笠翁。而李漁戲曲因此被日本文人研讀的機會亦大增,必有譯介、仿作,或以小說形式「翻案」者,曲亭馬琴和石川雅望是最兩個極佳的例子。 |
英文摘要 | As Japan scholar Aoki Masaru(1887-1964)said“In Tokugawa Japan,if you talked about Chinese Drama,everybodytook Ly-Yu for instance.”Li-Yu’s Dramatheoryandworks were really hand down inTokugawa Japan.But how did the fact or process of spreading over Tokugawa Japan? This article tryto use the bibliography such as“Hakusai shomoku”(《舶載書目》)to list the Ly-Yu’s books of ocean transportation and Japanese prints in Tokugawa Japan.It’s a pity that there were just two little plays of Ly-Yu’s work “Mirage in House”(《蜃中樓》)being printed in “TheNew Print of Actor’s Checklist”(《新刻役者綱目》)But that’s reason why Japanese actors knew about Ly-yu and his works,even though there’s just two little plays.In the other hand,Ly-yu’s drama theory did not beprinted in “The Occasional Notes with Leisure Motions”(《閒情偶寄》)ofTokugawa Japan.. Although it was a bestsellerin Tokugawa Japan,there’s nothing about Chinese Drama.Therefore, In Tokugawa Japan,when someone talked about Chinese Drama, everybodyknew about Ly-Yu because of the study book of actors “The New Print of Actor’s Checklist”(《新刻役者綱目》).Ly-yu’s Chinese Drama theory was never widespread.From the two little plays of “Mirage in House”,Japanese actors recognized the variety of performance and stage effects .That’s why Ly-yu’s name was widespread in TokugawaJapan.Therefore, Japanese writers such asKyokute Bakin(1767-1848)( 曲亭馬琴)andIshikawaMasamochi (1753-1830)(石川雅望)were able to read,and rewrite what they read about Ly-Yu’s work. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。