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題 名 | 唐代繚綾工藝及紋樣特徵探微=A Probe into the Features of Processes and Patterns of Liao Ghatpot in Tang Dynasty |
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作 者 | 趙翰生; 田方; | 書刊名 | 中華科技史學會學刊 |
卷 期 | 17 2012.12[民101.12] |
頁 次 | 頁38-45 |
分類號 | 478.2 |
關鍵詞 | 繚綾; 白居易; 挑花; 藻; Liao Ghatpot; Bai Juyi; Swivel fabrics; Algae; |
語 文 | 中文(Chinese) |
中文摘要 | 長期以來,繚綾的精美華貴只留存在人們的想像中。本文以相關紡織工藝為參照,通過解析古文獻的相關記載,提出了兩個新觀點:一是繚綾是以其工藝特點與「繚」之字義相近而得名。比對各種織造方式,與「繚」之字義最接近的工藝特點,當系「挑花」工藝,故繚綾系挑花織物;二是通過對白居易《繚綾》詩句「絲細繅多女手痛」中「繅」字的解讀,認為此句中的「繅」字,不應解作繅絲,而應解作紋飾,並指出繚綾紋樣的基本特徵是以水藻紋為主體,輔以祥雲、飛禽或瑞獸紋構成,而且其紋樣是多層次邊緣不規則的暗花大圖案。 |
英文摘要 | For ages exquisite and luxurious Liao Ghatpot has only been in people's imagination. As a reference to related textile technology, this article gives an analysis of the relevant records of ancient documents and discusses the unique styles of Liao Ghatpot being different from other silks. The author made two new points: firstly, Liao Ghatpot is named after its process features, which is similar to the meaning of 繚. Compared with all kinds of weaving modes, the technique of swivel weaving is closest to the meaning of 繚, so Liao Ghatpot also refers to swivel fabrics. Secondly, the author thinks 繅in Bai Juyi's poem Liao Ghatpot means ornamentation instead of silk reeling. |
本系統中英文摘要資訊取自各篇刊載內容。