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題 名 | 一九六○世代詩人中現實意識的兩種呈現--以鴻鴻與羅葉為例=1960 Two Generations of Poets in the Real Sense of the Presentation:Hung Hung and Luo Ye with an Example |
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作 者 | 丁威仁; 蔡凱文; | 書刊名 | 當代詩學 |
卷 期 | 9 2014.07[民103.07] |
頁 次 | 頁141+143+145-186 |
分類號 | 863.51 |
關鍵詞 | 羅葉; 鴻鴻; 現代詩; 現實主義; 現實意識; 現實詩; 國際性; 島嶼; Luo Ye; Hung Hung; Modern poetry; Realism; Realistic sense of the reality of poetry; International; Island; |
語 文 | 中文(Chinese) |
中文摘要 | 現實意識的呈現應該是主客體的合一,以生活經驗作為基礎,其文本或者詩作,應該具備一種藝術性。而一九六O世代的詩人中,鴻鴻與羅葉兩位詩人的詩作,多有關懷現實,與反省現實的詩作,可以說是此世代詩人現實詩的創作重鎮,而兩人在現實主義的詩歌書寫上,具備著兩種不同類型的現實意識或者現實思維,就鴻鴻而言,近年來其足跡遍布國外,又多次擔任臺北詩歌節之策展人,引介許多外國詩人的詩作給臺灣的讀者,其現實詩的寫作也多以國際議題做為題材;相較之下羅葉則以島嶼的現實做為創作主體,可見其書寫的詩作便是本土意識的高度呈現。本文透過數據分析與詩作內容分析,兩個方向對鴻鴻與羅葉進行討論,希望能夠呈現兩位詩人在反映現實意識詩作中的相異處,並藉此定位他們在臺灣現實詩創作發展的位置 |
英文摘要 | Realistic rendering of consciousness should be the main object of unity to life experiences as a basis for its text or poems, should have an artistic. The 1960 generation of poets, Hung Hung and Luo Ye two poets and poems, more than a caring realistic, and reflect the reality of poetry, creative city can be said of this generation poet reality of poetry, and two in realism on poetry writing, with two different types of reality or the reality of conscious thought, the Hung Hung, the recent years across its footprint abroad, has repeatedly served as curator of the Taipei Poetry Festival, introducing many foreign poets poems to Taiwan readers, writing his poems are also more realistic to international issues as the theme; contrast Luo Ye places the main island of reality as the creation, writing poetry is that it shows a high degree of local self-awareness presentation. In this paper, through data analysis and content analysis of poems, in both directions on Hung Hung and Luo Ye discussions with the hope of presenting two poets poems reflect the reality of consciousness different place, and to locate them in the development of Taiwan's reality poems location |
本系統中英文摘要資訊取自各篇刊載內容。