頁籤選單縮合
題名 | 是誰型塑臺灣電影的調性?--從網絡分析著手=Who Tuned the Tones of Taiwan's Cinemas?--A Network Approach |
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作者 | 林世強; Lin, Shyh-chyang; |
期刊 | 中華傳播學刊 |
出版日期 | 20140600 |
卷期 | 25 2014.06[民103.06] |
頁次 | 頁223-249 |
分類號 | 987.09232 |
語文 | chi |
關鍵詞 | 柯俊雄; 無尺度; 電影; 網絡; Ko Chun-Hsiung; Scale free; Movie; Network; |
中文摘要 | 台灣電影的演化,可由演員與導演之更替而顯見,本研究利用網絡技術探討演員與導演之網絡特性及成員在電影產業之影響力。研究發現,台灣巨型電影網絡是由小型台語片網絡交集大型國語片網絡組成,其中台語導演與演員相對邊陲,而綜合相關網絡指標可歸納,柯俊雄為台灣電影之中心演員,余漢祥則為中心導演,二者皆橫跨國台語電影。本研究亦發現,基本演員與配角因佔據網絡中心,是型塑電影演出環境之主力,是真正電影最重要的人物。 |
英文摘要 | The evolution of the movie industry can be delineated by observing the evolution of directors and actors. This study explored movie network characteristics to identify the central figures in the Taiwan movie industry. Taiwanese-speaking actors have created a small network that intersects with a large Mandarin-speaking network, forming a broad Taiwan movie network. According to this formation, most central actors speak Mandarin, and Taiwanese-speaking actors are peripheral. Ko Chun-Hsiung and Yu Han Shiang are central figures in the actor and director networks, respectively, probably because they are able to cross the language barrier and, thus, have numerous opportunities to participate in filming projects. Dominant actors are mostly supporting actors that shape the acting environments of filming, and are crucial stars in the Taiwan movie industry. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。