查詢結果分析
來源資料
頁籤選單縮合
題 名 | 《原詩》創作思維論發微=A Study of the Thoughts of Creative Writings in Yuan-Shih |
---|---|
作 者 | 廖宏昌; | 書刊名 | 文與哲 |
卷 期 | 5 2004.12[民93.12] |
頁 次 | 頁325-341 |
分類號 | 821.27 |
關鍵詞 | 葉燮; 原詩; 清詩話; 創作思維; Yeh Hsieh; Yuna-hsin; Hsin-huang of Ch'ing; Creative thinking; |
語 文 | 中文(Chinese) |
中文摘要 | 文學創作主要用「形象思維」。形象思維既是分析、概括生活真實本質規律的理性認識過程,同時也是提煉、改造感性材料的藝術創作過程。葉燮《原詩》,承襲吾國傳統文論的菁華,對此問題有極具體確的論述,本文旨在疏通其觀點,以闡發其精微之立論,共分五節:壹、前言;貳、創作思維的規律;參、創作思維的特徵;肆、創作思維的論證;伍、結語。 |
英文摘要 | The major means of literary creation is imagery thinking. The imagery is not only a process of analysis but also a process of knowing life. In addition, it is a process of artistic creation. Yeh Hsieh’s Yuna-shin is a heritage of Chinese literary theory. In this book, it gives a detailed analysis on this issue. This article contains fives sections: 1.preface, 2.the rules of creative thinking, 3.characteristics of creative thinking, 4.theories of creative thinking, 5.conclusion |
本系統中英文摘要資訊取自各篇刊載內容。