頁籤選單縮合
題 名 | 蘇軾〈薄薄酒〉二詩章法結構及藝術手法探析=Study on the Organization Structure and Artistic Expression of Two "Bo Bo Jiu" Poems from Su Shi |
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作 者 | 陳宣諭; | 書刊名 | 臺中教育大學學報. 人文藝術類 |
卷 期 | 27:1 2013.06[民102.06] |
頁 次 | 頁43-67 |
分類號 | 851.451 |
關鍵詞 | 蘇軾; 薄薄酒; 章法結構; 飲酒詩; 宋詩; Su Shi; Bo Bo Jiu; Organization structure; Poems of drinking; Song poem; |
語 文 | 中文(Chinese) |
中文摘要 | 中國歷來以〈薄薄酒〉為詩題共有九題十三首,而蘇軾〈薄薄酒〉二首是中國文學史上首篇以「薄薄酒」為篇名之詩歌。原「薄薄酒」一語出自趙明叔之言,蘇軾妙用題材,將此俗材俚言,昇華轉化為豁達之意境與發人深省的哲理,甚至第二首詩自破第一首詩的立論。綜觀後人同題競作皆踵繼蘇軾〈薄薄酒〉二詩緣飾增益或傳承因襲中自有轉化緣飾,然卻無人自立自破其詩。故本文試圖從辭章學來分析此聯章詩之章法結構與藝術手法,細究二詩皆運用「敘論」章法貫聯二詩主結構,以「賓主」法,將美醜、榮枯、賢愚、善惡對比呈現;以「平提側收」法於矛盾歧異中求統一,既含蓄又揭露。二詩最終以「先抑後揚」的幽默諧趣,自立自破,反常合道的邏輯思維,強化反功名富貴的曠達情韻。此二詩非但創體,後代同題競作無人勝出其上。 |
英文摘要 | In Chinese history there are nine different subjects and thirteen poetry-oriented metapoems in which Bo Bo Jiu "薄薄酒", that is, "the thin light wine", was selected as the title of these poems. The first, titled "Bo Bo Jiu", came from the first two poems which were created by Su Shi in the Chinese historical literature. The original word "Bo Bo Jiu" came from Zhao Ming-Shu "趙明叔". However, Su Shi skillfully applied vulgar language and transfigured the word into a graceful and artistic conception of an open mind and in doing so provided food for thought. Further, he challenged the propositions and arguments of the former, on the basis of these in the latter. In a comprehensive survey, the successors' poems with the same title of "Bo Bo Jiu" are inherited from that of Su Shi's. Most modified, embellished, and transformed the original poem spirit under a traditional constitution. However, none set the contention first and then disclaimed their own assertion. Therefore, this paper analyzes the organization structure and artistic expression of the two poems from a rhetorical point of view. Both of the poems utilized the "Narrative and Reasoning" approach in the main structures, and used the "Guests and Master" method to compare beauty and ugliness, flourishing and declining, wisdom and foolishness, and good and evil. They then used the "Overall expounding and Curved ending" theory to pursue unification under the contradiction and discrepancy conditions. Therefore, they are both implicit and exposing. Moreover, the two poems utilized the "the first-suppression and the last-rising" theory to show humor and enjoyment, which overthrew the contention made previously. Further, the logical thinking of "Unusual and reasonable" was used to strengthen the anti-fame and antiwealth sentiments, and then show the open mind of the author. The two poems created a new format. Following that, there has been no other poem superior to those of Su Shi's with the same title. |
本系統中英文摘要資訊取自各篇刊載內容。