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題 名 | Indigenous Dances on Stage--Embodied Knowledge at Risk?=舞臺上的原住民舞蹈--險境中的體現知識? |
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作 者 | 布蘭達.琺內兒; 趙綺芳; | 書刊名 | 臺灣舞蹈研究 |
卷 期 | 4 2008.05[民97.05] |
頁 次 | 頁151-206 |
分類號 | 976.3 |
關鍵詞 | 原住民舞蹈; 舞蹈; 民族誌; |
語 文 | 英文(English);中文(Chinese) |
中文摘要 | 這篇文章提出以下問題:當原住民舞蹈形式自其傳統情境中移除後在編舞上所產生的重要變化。我批判性地檢視「真實性」、「權威」、「作者身份」這些與動態性體現知識相關的概念,以提供有別於「策略的本質主義」和「真實性論述」之外的「合法過程」。本文將源自於北美洲厚、住民晚近研究的概念運用於一北部平原原住民男性傳統舞者,他自1980年代末期與1990年代初期起在「美洲印第安舞蹈劇場」(the American Indian Dance Theater簡稱AIDT)演出。本文中的民族誌資料立基於威廉絲的動作語意學,乃社會文化人類學之分支,並將聚焦於人觀、空間與時間的語意學,以及表演者之經驗。 |
英文摘要 | This paper raises question's about the significance of choreographic changes when Indigenous dance forms are removed from their traditional contexts. I critically examine the related concepts of ‘authenticity', ‘authority' and ‘authorship' in relation to dynamically embodied knowledge, offering ‘legitimizing processes' as an alternative to both ‘strategic essentialism' and ‘discourses of authenticity'. Concepts from recent work in North American Indigenous Studies are applied to the particular experiences of a Northern Plains Men's traditional dancer who performed with the American Indian Dance Theater (AIDT) company in the late 1980's and early 1990's. The ethnographic data and analysis, grounded in Williams's ‘semasiology' within sociocultural anthropology, focus on the semantics of personhood, space and time, and the impact of the experience on the performer. |
本系統中英文摘要資訊取自各篇刊載內容。