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題 名 | 潘皇龍與錢南章1980年代至今的跨文化音樂創作初探=The Intercultural Compositions of Hwang-long Pan and Nan-chang Chien since 1980s |
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作 者 | 宋育任; | 書刊名 | 藝術評論 |
卷 期 | 24 2013.01[民102.01] |
頁 次 | 頁37-75 |
分類號 | 910.9933 |
關鍵詞 | 潘皇龍; 錢南章; 跨文化音樂創作; 臺灣現代音樂; 臺灣作曲家; Hwang-long Pan; Nan-chang Chien; Intercultural composition; Taiwanese modern music; Taiwanese composer; |
語 文 | 中文(Chinese) |
中文摘要 | 在臺灣當代藝術音樂的創作中,以跨文化音樂創作—作品中融合臺灣、中國、西方文化元素—為主流,臺灣當代重要的作曲家潘皇龍(1945-)與錢南章(1948-)的創作也不例外。在潘皇龍與錢南章的跨文化音樂創作中,每個作品都有它主要想表達的文化精神—臺灣本土特色、中國傳統文化或是西方現代精神。潘皇龍與錢南章創作中的多元文化現象,正反映出作曲家深受上述文化之影響,也反映出臺灣當代社會多元的文化景觀。本研究主要目的在於,研究潘皇龍與錢南章留德回國後於1980年代至今的跨文化音樂創作,分析其音樂風格和文化影響來源,以及論述他們主要想表達的內容與文化精神,並試圖將之歸納於以下三個主題:(一)關懷臺灣本土文化;(二)表達中國傳統文化精神;(三)探索西方現代音樂形式。希望透過這樣的研究,來增進對於潘皇龍與錢南章音樂創作的理解。 |
英文摘要 | In the contemporary Taiwanese art music the main stream is the intercultural compositions- namely the combination of Taiwanese, Chinese and Western culture elements. The compositions of two important contemporary Taiwanese composers, Hwang-long Pan (1945-) and Nan-chang Chien (1948-) are no exceptions of this stream. Each of their works expresses its own kind of cultural spirit-either native Taiwanese culture or traditional Chinese culture, or modern Western culture. The multi-cultural phenomenon of Pan's and Chien's works reflects the deep influence of these cultures and also the multi-cultural panorama of contemporary Taiwanese society.This paper intends to research the intercultural compositions of Pan and Chien in 1980s after they return from the overseas study in Germany. I try to analyze their musical styles, identify their cultural origin and also explicate the contents and cultural spirit they want to express. I attempt to summarize these in the following three themes: 1. the concern about native Taiwanese culture. 2. the expression of traditional Chinese spirit. 3. the exploration of Western modern music form. I hope to achieve a better understanding of Pan's and Chien's works by means of this research. |
本系統中英文摘要資訊取自各篇刊載內容。