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題名 | Eurhythmia, Arrhythmia, and Polyrhythmia during the Wars in Hualing Nieh's «Mulberry and Peach: Two Women of China»=戰爭中的常態韻律、反式韻律、及複合韻律:以聶華苓的《桑青與桃紅》為例 |
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作者 | 朱雯娟; | 書刊名 | 高雄師大學報. 人文與藝術類 |
卷期 | 32 2012.06[民101.06] |
頁次 | 頁137-158 |
分類號 | 823.6 |
關鍵詞 | 列斐伏爾; 律動學; 常態韻律; 反式韻律; 複合韻律; Henri Lefebvre; Rhythmology; Eurhythmia; Arrhythmia; Polyrhythmia; |
語文 | 英文(English) |
中文摘要 | 戰爭摧毀人類垂危的生命,並造成文明史上難以忍受的損失與災難。我們都強忍著深不可測的失落,生命與資源的浪費,且心中都深深地烙印著備受戰爭折磨的創傷記憶。本論文以聶華苓的《桑青與桃紅》為例,探討在日本侵華,國共戰爭,台灣的白色恐怖統治,及越戰期間,日常生活中的常態韻律、反式韻律、及複合韻律。小說中,戰爭記憶的深層意義,將被充分的討論。而且,律動學的理論,也會被完全的分析。既然常態韻律是平時生活中社會規範的產物,且反式韻律是因戰爭中受到的迫害,而產生的異常事物,那麼,經歷戰爭後的複合韻律,是在其日常生產與遭戰爭破壞的兩相衝突下,創造出的另類及不同的韻律。 在聶華苓的《桑青與桃紅》中,提及四大戰爭:即第二次中日戰爭、國共戰爭、台灣的白色恐怖及越戰。小說中,女主角桑青受苦於不安的政治環境,及戰爭的陰影,並擔心被共產黨或國民黨、甚至是被美國移民調查局的官員所逮捕等。她經歷了歷史的四個關鍵期:第二次中日戰爭末期,共產黨在中國大陸的勝利,五零年代台灣的白色恐怖統治,及美國動盪不安的六零年代末期,與七零年代初期。同時,她也經歷了她一生中的四個轉捩點,其分別都交織在常態韻律、反式韻律、及複合韻律之間。統觀整部小說,我們得知桑青的一生,已完全被毀。她的過去,她的傳統價值,還有她的道德意識,已全然粉碎。相反地,桃紅是桑青的另一自我。她侵入桑青,改變其個性,成為一個身在美國,到處流浪,言行舉止散漫的放蕩女子。 桑青/桃紅一生(包括性愛、結婚、通姦、懷孕)的逃難與躲藏,事實上是多種韻律(包含常態韻律、反式韻律、及複合韻律)的交替行為。經歷不同時期的各種事件後,桑青/桃紅逐漸發展出她自己的韻律,同時也創造出屬於再現她自己的複合韻律。 |
英文摘要 | Wars destroy the precarious existence of humanity, and cause unbearable loss and devastation to human civilization. We endure the unfathomable loss, the waste of lives, and resources, and bear traumatic memories of being afflicted with wars. This paper takes Hualing Nieh’s Mulberry and Peach: Two Women of China as an example to discuss the phenomena of eurhythmia, arrhythmia and polyrhythmia during the Japanese invasion of China, the Communist-Nationalist Civil War, Taiwan’s White Terror, and the Vietnam War. The profound significance of war memories in the novel is fully explored, and the theory of rhythmology is completely analyzed. Since eurhythmia produces things in peaceful social norms, and arrhythmia destroys things through wars, polyrhythmia after the wars creates the alternatives and differences within the conflicting dualities of productions and destructions. There are four major wars mentioned in Nieh’s Mulberry and Peach: Two Women of China, i.e., 1.The Second Sino-Japanese War (1937-1945), 2.Chinese Civil War (Communist-Nationalist Civil War, 1938-1949), 3.White Terror in the 1950s in Taiwan (1949-1987), and 4.The Vietnam War (1955-1975). The protagonist, Mulberry, in the novel, suffers from the uneasy political environments, the shadows of wars, fears of being caught by Communists or Nationalists, and even by the US Immigration Service agents. She encounters four key periods of history: the close of the Sino-Japanese War, the Communist victory in mainland China, the reign of White Terror during the 1950s in Taiwan, and the turbulent late ’60s and early ’70s in the USA. She also encounters four turning points in her life which is interactions among eurhythmia, arrhythmia and polyrhythmia. Throughout the novel, we see that everything in Mulberry’s life has been destroyed. Her past, her traditional values, and her ethics have been shattered. On the contrary, Peach is Mulberry’s other personality. She plunges Mulberry into a life of promiscuity and adventure. Mulberry/Peach’s escaping and hiding, actually, is composed of diverse rhythms among eurhythmia, arrhythmia and polyrhythmia, including her sexuality, marriage, adultery, and pregnancy. Through these different events in time and space, she gradually develops her own rhythms, and, finally, creates her unique polyrhythmia. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。