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題 名 | 臺灣傳統建築裝飾藝術--人物類剪黏題材的構圖原則=Taiwan's Traditional Architectural Decorative Arts: The Composition Principle on Chien-nien of Human Figures |
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作 者 | 陳冠勳; | 書刊名 | 設計學研究 |
卷 期 | 15:1 2012.07[民101.07] |
頁 次 | 頁109-125 |
分類號 | 972.2 |
關鍵詞 | 剪黏; 臺灣傳統建築; 剪花; 嵌瓷; 傳統工藝; Chien-nien; Taiwan's traditional architecture; Chien-hua; Porcelain inlay; Traditional crafts; |
語 文 | 中文(Chinese) |
中文摘要 | 剪黏,俗稱「剪花」,廣東稱之為「嵌瓷」,屬於中國南方特有工藝形式,大致盛行於今之廣東、福建一帶。剪黏的製作過程十分繁複,是一種集雕塑、陶瓷、彩繪及鑲嵌等多樣技巧的一種獨特之藝術形式。由於人物類剪黏的豐富題材、多樣的構圖特色,成為匠師們展現精湛技藝的題材之一。如何將人物的排列,達到生動活潑且兼具美感,這些都在在考驗著匠師的智慧與功力。本文研究從裝飾的角度,來探討人物剪黏在構圖上的原則,希望能提供匠師們進行剪黏創作的參考依據,不論新建廟宇或古蹟修復工作,期能恢復以往的精巧水準,進而保存此一獨特工藝形式。 |
英文摘要 | Chien-nien, commonly called as "Chien-hua", Cantonese calls that "porcelain inlay", is a characterized craft form in the South of China, the areas of Guangdong and Fukien that roughly prevail up to the present. The making process of Chien-nien is very complicated. Chien-nien is a kind of unique art form that combines various skills such as the sculpture, pottery, colored drawing or pattern, and inlaying, etc.As the character class Chien-nien the rich subject matter, composition and diverse characteristics, as craftsmen who demonstrate their craft is one of the subjects. How the arrangement of characters to achieve a lively sense of beauty and both of these are a test of the wisdom and skill of the craftsmen.For Chien-nien works through the method of composition should provide craftsmen who carried out Chien-nien reference creation, regardless of new temples or historic building restoration work, hoping to restore the previous level of sophistication, and then save the form of a unique processes. |
本系統中英文摘要資訊取自各篇刊載內容。