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題名 | 青葉益輝作品之視覺傳達=The Visual Communication Design of the Masuteru Aoba |
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作者 | 白慧甄; 高惠瓊; | 書刊名 | 商業設計學報 |
卷期 | 14 2010.11[民99.11] |
頁次 | 頁213-232 |
分類號 | 962 |
關鍵詞 | 視覺傳達; 意象; 平面設計; Visual image; Image; Graphic design; |
語文 | 中文(Chinese) |
中文摘要 | 日本的平面設計於戰後發展迅速,透過AGI(Alliance Graphique Internationale)對設計者的認證,是推升這波浪潮的重要助力。青葉益輝是當今日本著名的平面設計家,作品屢獲大獎、構圖獨特、運用大量佈白,自成一格,引起研究者的好奇進而探索其風格形成之因素。本研究以視覺傳達原理,分析青葉益輝之作品。依圖像、造形、色彩、構圖形式等,加以解析,就不同時期、不同系列之作品變化。並對應青葉益輝之生平事蹟與日本設計、世界藝術風潮之演變,梳理其個人風格形成之可能因素。期望研究結果能提供相關設計者與學術研究者之參考。 |
英文摘要 | Graphic design in Japan developed rapidly after World War II, since AGI (Alliance Graphique Internationale) has leaded an impetus to designer certificate authentication. Masuteru Aoba, a well-known graphic designer nowadays who was frequently awarded the top prizes, has unique design composition, usually leave blank in his art work, which attract researcher to look into his style constitute elements.This study analyzed Masuteru Aoba's work based on visual communication theory, which use image, shape, color and format composition to analyze his work variation in difference time period. As well as to comprehend Masuteru Aoba's style constitute elements by reviewing his life experiences and the design trends around the world. Results are expected to provide a reference for designers and academic researchers. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。