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題名 | The Obsessive Love in Toni Morrison's Early Work=童妮.摩里森小說中執迷的愛 |
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作 者 | 溫惠珍; | 書刊名 | 慈濟大學人文社會科學學刊 |
卷期 | 9 2010.04[民99.04] |
頁次 | 頁86-106 |
分類號 | 874.57 |
關鍵詞 | 非裔美國人; 美貌典範; 族裔身份; 愛; African American; Love; Physical ideal; Racial identity; |
語文 | 英文(English) |
中文摘要 | 童妮•摩里森最早的三部小說《最藍的眼睛》,《蘇拉》、《所羅門之歌》深刻描繪種族意識如何導致非裔女性對愛的渴求及執迷。小說中的人物或是摩里森謂之「種族階級」衝擊下的受害者,或是助長者,亦或是反動者。本論文主要探討摩里森如何透過呈現小說中人物對愛的偏執想法與作為來反省批判由白人支配的美貌標準與理想,甚而以象徵性的非裔捲髮及族裔身份重新定義屬於非裔文化的典範美。在摩里森的小說中,在種族偏見的白人美學影響下,角色們追尋的愛常是出錯的,甚至是扭曲、變形與怪異的。然而,非裔美國人長期承受著被剝奪了愛和缺乏愛的創傷,並非意謂著他們的不足,反而是造就他們族裔身份與認同的因素。 |
英文摘要 | In The Bluest Eye, Sula, and Song of Solomon, Toni Morrison illustrates the effects of racial ideologies on sexuality through the gaze of both those discriminated against and those belonging to the dominant power. The paper, thus, aims to explore how Morrison deals with the impact of what she calls "racial hierarchy" on its victims and those who fabricate it, as wel1 as those who resist it. Morrison condemns the idealization of "physical beauty," along with its counterpart, "romantic love," the two "most destructive ideas in the history of human thought." Portraying her female characters' self-images and desire to be loved, Morrison highlights her characters' desire to be recognized on the one hand, and implicit in such desire is racial self-loathing on the other hand. Though the love her characters pursue is often gone badly wrong, twisted and distorted into surrealistic shapes, often bizarre beyond belief, the dispossession they have endured and the traumatic absences of love do not suggest their deficiency but have helped to make them who they are. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。