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題名 | 轉進當代藝術的書法現象考察=Chinese Calligraphy Develops into Contemporary Art |
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作者 | 黃智陽; | 書刊名 | 清華學報 |
卷期 | 40:3 2010.09[民99.09] |
頁次 | 頁609-662 |
專輯 | 筆墨之外:中國書法史跨領域研究論文集 |
分類號 | 942 |
關鍵詞 | 當代藝術; 現代書法; 轉進; 後現代藝術; 觀念藝術; 書法主義; Contemporary art; Modern calligraphy; Post-modern art; Conceptual art; |
語文 | 中文(Chinese) |
英文摘要 | As Chinese calligraphy moves into today’s world, it is interestingly divorcing itself from its original nature. Calligraphy is clearly being affected by the multi-dimensional culture of our time, which has set off many experiments in the exploration of new possibilities for this traditional art. These experimental works attempt to align themselves with contemporary art, and they essentially deviate from traditional calligraphy. Set against the long history of Chinese calligraphy, this recent development is a radical change, unique in calligraphic history. It is this author’s opinion that, while it is necessary to break age-old constraints, the distinct forms and materials of calligraphy should be acknowledged and used in adapting to the new era. By examining calligraphic schools and exhibitions in China, Japan, and Taiwan in recent years, this paper intends to illuminate how the art of calligraphy is transforming itself in the present-day world. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。