頁籤選單縮合
題名 | 試論陶詩中部份史傳與神話傳說人物的理想化現象=Expounding the Idealization Phenomena of Historic and Legendary Characters in Tao, Yuan-ming's Poetry |
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作者 | 黃世錦; Huang, Shi-jin; |
期刊 | 嘉大中文學報 |
出版日期 | 20100900 |
卷期 | 4 2010.09[民99.09] |
頁次 | 頁55-91 |
分類號 | 821.832 |
語文 | chi |
關鍵詞 | 陶淵明; 陶詩; 荊軻; 三良; 夸父; 人物形象; Tao yuan-ming; Tao's poetry; Jing Ke; San Liang; Kua Fu; Character image; |
中文摘要 | 傳世的陶詩,每有稱引史傳與神話傳說人物以抒情寄慨者。其所歌頌援引的人物,有上古帝王與神話人物,亦有出自史傳典籍記載者。上古帝王與神話人物,由於時代久遠,載籍不足,渺遠難徵;史傳所載人物,則有其他傳世典籍對勘,事蹟往往可考。若將陶詩中稱頌稱引的史傳與神話人物,與史傳古籍所載之人物事蹟行事對勘,大部分人物形象事蹟均與典籍相合。然而,卻亦有部分史傳與神話人物,其人物形象與事蹟,與典籍所載有相當程度的出入落差,呈現出調和、美化與典型化的傾向!本文撰作之旨,即在透過對史傳與其他典籍之考察與對勘,對陶淵明少數本之於史實卻又不完全忠於史實,而卻有詩人自己剪裁加工與藝術創造的詩篇,探究其人物形象與史傳典籍之差異處,以探索其創作動機與情懷所寄,期能有助於深入瞭解陶淵明的內心世界與生命情境,探索這位回歸田園的隱者,心中的矛盾糾葛與澈悟。 |
英文摘要 | Tao, Yuan-Ming usually cited characters mentioned in history, legends or myths to express his own ideas and emotions. Characters cited by him ranging from ancient emperors, mythical creatures to even real characters in history. It is difficult to track the reality and make relevant comparison about the ancient emperors or mythical creatures, due to the antiquity and insufficient records. As for characters cited in formal historical biographies,with the existence of other related ancient books and records, it is then easier to find out whether the stories written is true or not. Therefore, if we compare the story about the historical or mythical characters with those formal ancient historical books or records, we can realize that though most of Tao, Yuan-Ming’s description matches with reality, still, some of them do not go with the historical records to a great extent. The gap between his description and historical records could be categorized into 3 types:reconciliation, beautification, and typification.Rarely would Tao, Yuan-Ming cite any historical characters without sticking to historical truth. However, there are still some exceptions. So, in order to find out his creation motivation and intention and then to further understand his own inner world and life experience so as to explore the psychological complex and achieved epiphany, the purpose of this article is to verify the reality gap between Tao, Yuan Ming’s own artistic expression and formal ancient historical records about certain historical characters by exploring historical records and other related documents and making related comparison and verification. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。