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題名 | 「在南方」詩歌群像=Poetic Group Portraits Beyond the South |
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作 者 | 劉旭俊; | 書刊名 | 當代詩學 |
卷期 | 5 2009.12[民98.12] |
頁次 | 頁63+65+67-93 |
分類號 | 821.88 |
關鍵詞 | 80後詩歌; 在南方; 群落化; 80's poem; Beyond the South; Groupify; |
語文 | 中文(Chinese) |
中文摘要 | 一般而言,當代的詩歌流派畫分主要是按照時間與空間的秩序。前者以十年為斷代,產生了「70後詩歌」、「80後詩歌」等統稱;後者則以地域格局為限,形成以各個地名命名的詩派。然而,任何的歸類形式對於內部意義複雜多樣的文學性而言,都是一種無可奈何的「損傷」。面對著紛繁複雜的詩壇,簡單化的派系分類法勢必將會遮蔽掉詩歌表達的豐富性,同時也將每個詩人的個性泯滅於群體的共性之中。因此,我認為有必要從另一個角度審視詩歌的現狀──即以「詩歌群落」取代「詩歌流派」,並以這種相對多元的視角來描摹「在南方」詩群中幾位年輕詩人的「詩歌肖像」 |
英文摘要 | Generally speaking, the classification of contemporary poetry genres is mainly according to chronological order and space order; the former takes a decade as a period, which is known as 70's Poem and 80's Poem, the latter is limited to geographical patterns and forms poetry genres named in various place names. In terms of complication and variation within the literary meaning, however, any classification is an inevitable losses. Faced with the numerous and complex field of poetry, simplified classification is bound to hide the variety of poetry expression and also turn each poet's personality into masses' commonality and therefore I have an idea that it's necessary to examine the situation of poetry nowadays from the other side, utilizing Poetry Group to displace Poetry Genre. At the same time, I try to imitate portraits of several youthful poets in the "Beyond the South" poetry group from the very relatively multiple perspective |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。