頁籤選單縮合
題 名 | 清代女詩人汪端及其《明三十家詩選》之詩觀=Discussion on the Qing Dynasty Poetess Wang Duan's Idea of Poetry: The Collection of Poems by Thirty Poets of the Ming Dynasty as an Example |
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作 者 | 駱育萱; | 書刊名 | 南臺學報 |
卷 期 | 34:2 2009.09[民98.09] |
頁 次 | 頁91-110 |
分類號 | 851.47 |
關鍵詞 | 女性文學; 汪端; 明三十家詩選; The Qing dynasty; Women's literature; Wang Duan; The collection of poems by thirty poets of the Ming dynasty; |
語 文 | 中文(Chinese) |
中文摘要 | 汪端為清代女詩人,家學淵源顯赫,著《自然好學齋詩鈔》,詩凡千餘首;編纂《明三十家詩選》,為女 性詩人評選男性詩人詩歌第一例。第一節前言說明汪端研究現況,本文第二節簡介汪端生平,説明《明三十 家詩選》撰述動機在為明初高啟申寃,倡明初劉基、高啟、貝瓊、楊基等諸家以闡幽。其內容以仿鍾嶸《詩 品》、高棅《唐音品彙》以分列品等,仿元好問《中州集》、顧嗣立《元詩選》、朱彝尊《明詩綜》選詩載事方 式,且依各類詩體,釐定其評價標準。第三節說明汪端詩觀重點有四,一在論詩論人並重,以詩為史、二在 以清真為要、三為尊明初諸家、四是評七子則是反對李夢陽、李攀龍而重何景明、徐禎卿、謝榛。汪端獨排 眾論,不人云亦云,對於王世貞、錢謙益、沈德潛等人對明詩的看法,均有所評議。汪端雖為閨秀,然其史 學涵養深厚,為洗明初諸家詩人之屈,而一反當時讚頌明前後七子的詩評,評議又不淪為門戶之見,可謂之 清代女性文學之大家。 |
英文摘要 | As a descendant of a renowned and erudite family, Wang Duan, being a talented and prolific poetess of the Qing Dynasty, was the editor of The Collection of Poems by Thirty Poets of the Ming Dynasty, and the author of Poems Composed in the Naturally-Studious Study Room and thousands of other poems. The first section of the paper gives a biographical sketch of Wang. The second section then explains the reasons for her compiling The Collection of Poems by Thirty Poets of the Ming Dynasty, which are twofold: to vindicate the early Ming Dynasty poet, Kao Chi, and to propagate the ideas and works of other early Ming Dynasty men of letters, for instance, Liu Ji, Kao Chi, Bei Qiong and Yang Ji. The paper also explicates how The Collection is divided into various categories according to the principles in Zhong Rong’s Poetics and Kao Bing’s The Collection of Songs of the Tang Dynasty, and how Yuan Hao-Wen’s Zhongzhouji, Gu Si-Li’s The Collection of Poems of the Yuan Dynasty, and Zhu Yi-Zun’s The Collection of Poems and Songs of the Ming Dynasty influence the selection and editing process of The Collection. Consequently, Wang divided poetry into eight forms, each with its own metrical patterns. Despite her being a woman, Wang was well-versed in both history and literature. She was courageous enough to swim against the tide when the Qianhouqizi in the Ming Dynasty whose poetic theories were the prevalent milieu, and published The Collection as her vindication of the poets of the early Ming Dynasty. With her fresh and novel criticisms, Wang indeed ranks as one of the leading female writers of the Qing Dynasty. |
本系統中英文摘要資訊取自各篇刊載內容。