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題名 | 試論六朝田園詩=Essays on Landscape Idyllic Poems of the Six-dynasties |
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作者姓名(中文) | 康全誠; | 書刊名 | 遠東學報 |
卷期 | 23:2 民95.06] |
頁次 | 頁381-388 |
分類號 | 821.727 |
關鍵詞 | 六朝; 田園詩; The six-dynasties; The landscape idyllic poems; |
語文 | 中文(Chinese) |
中文摘要 | 我國自古以來以農業為本,歷來的田園詩人多寫農民的命運和農村的風光;在 思想內容上,中國的田園詩常常或隱或顯,或多或少地打上政治的烙印,因為 中國的田園詩多半出自隱士手中,田園詩人們,在政治理想無法實現,他們竭 力想從渾濁、險惡的政治漩渦中逃脫出來,便對綠樹掩映的方宅草屋發生濃厚 的興趣。如此,田園詩的作品,在六朝詩壇的蓬勃發展時代,則到處可見。本 文即以六朝時田園詩的淵源、界說、產生時代背景,以及陶淵明田園詩的形態、 特色與美學價值作分析。 |
英文摘要 | Chinese have been mainly making a living by farming ever since the ancient time. The landscape idyllic poets from that time on mostlywrote the fate of the farmers and the landscape at the countryside. The content of the thought shown on the landscape idyllic poems have often been impliedly or expressly imprinted with the political marks more or less because the landscape idyllic poems then were mostly written by hermits who could not realize their political ideals, they tried very hard to escape from the dirty and tricky political whirlpool, therefore, they became interested deeply in the huts sheltered under the green trees. In this way, at the time of the six dynasties when poems were prosperously developed, the landscape idyllic poems were often written. This essay has been based on the origin, the definition and the background for the production of the landscape idyllic poems in the period of six-dynasties, as well as the style and characters, also, the aesthetic value of the poems written by Tao Yan-Ming to do analysis. Further, this essay also made a comparison on the landscape idyllic poems written by Tao Yuan-Ming and Yu Hsin so as to make a general explanation regarding the pass-on relations of the landscape idyllic poems between the two poets. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。