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題名 | 研究簡媜散文中「圖/文」的並置策略與期指涉意義=Studies in the Jan Zhei Prose “the Chart/Article” the Juxtaposition Strategy Fords the Significance with its Figure |
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作者 | 柯品文; Ke, Pin-wen; |
期刊 | 國文學報. 高師大 |
出版日期 | 20090600 |
卷期 | 10 2009.06[民98.06] |
頁次 | 頁183-217 |
分類號 | 824.1 |
語文 | chi |
關鍵詞 | 物件圖像; 文件書寫; 記憶; 生命史; 家族史; Thing image; Writing writing; Memory; Life history; Family history; |
中文摘要 | 在馬森、楊昌年、皮述民等著的《二十世紀中國新文學史》中論及簡媜散文風格時寫到:「開發出『連綴體』的散文新樣,這是一種以子題分割片段的方式,各段常呈平行,均可歸納在全篇主題的統攝之下,可呈直線進行,當然也可呈圓形回歸。」即已點出簡媜散文中所開發出的『連綴體』風格。 從簡媜第一本散文《水問》當中,即以「花誥」、「水經」、「悲賦」、「碎詞」、「斷語」和「化音」等六個篇章來串聯這本散文集的主題,而後如《下午茶》、《夢遊書》、《女兒紅》、《紅嬰仔--一個女人與她的育嬰史》、《天涯海角-福爾 摩沙抒情誌》、《好一座浮島》等散文集中,採以一種子題分割片段,且呈現以平行並歸納在全篇主題統攝下的『連綴體』書寫方式,在簡媜散文集中可說是屢見不鮮。不過,筆者發現簡媜早期至今許多散文集中皆出現其親自「手繪物件圖象/文字書寫」並置參照的策略風格呈現,例如《下午茶》、《紅嬰仔--一個女人與她的育嬰史》、《天涯海角-福爾摩沙抒情誌》等,這些被簡媜親手繪出的物件與手寫的文字,對於簡媜散文中從自身記憶所勾聯出的生命史、育嬰史、家族史,甚至是這座福爾摩沙島嶼的母土歷史,其結合圖文互文參照的策略與穿插在其散文作品中的意義有何關聯?其中的「物件圖象」與「文字書寫」是否可以相互聯結,而得以進行記憶的追溯、召喚與再現?筆者即想透過簡媜這一系列「手繪物件圖象/文字書寫」的散文創作,探究簡媜散文中手繪之物件圖象與文字書寫間的對照意義。 |
英文摘要 | In Ma Sen, Yang Changnian, Pi Shumin is waiting “The 20th century China New-vernacular literature History” concerned when the Jan treasure prose style wrote: “develops 'connects the body' the prose new type, this is one kind by the crosshead division fragment way, each section often assumes parallel, may induce under entire subject controlling, may assume the straight line to carry on, certainly may also assume the circular return.” Namely has selected in the Jan treasure prose to develop ‘connects the body’ the style. Conforms to simplicity Jan the first prose “Water To ask” middle, namely “informs, “Water Classic” by the flower”, “the sad tax”, “the broken word”, “the conclusion” and “the sound” and so on six chapters connects this prose collection the subject, then like “Afternoon tea”, “Sleepwalk Book”, “Daughter Red”, “red infant young:A woman with hers baby-feeding history”, “the Ends of the earth: Formosa Expresses feelings Will”, “Good Floating island” and so on proses is centralized, picks by one kind of crosshead division fragment, and presents by is parallel and induces under the entire subject controls ‘to connect the body’ the written way, in the Jan prose centralism may say that is common. However, the author discovered that the Jan early time many prose centralisms all present it “hand painted thing image/writing writing” the juxtaposition reference strategy style to present personally until now, for example “Afternoon tea”, “red infant young---A woman with hers baby-feeding history”, “the Ends of the earth - Formosa Expresses feelings Will” and so on, these thing which and hand-written writing Jan is drawn personally by Jan, regarding the Jan prose in the life history which, the baby-feeding history, the family history colludes from own memory, even is this Formosa islands female earth history, its union chart article mutually article reference's strategy and the alternation have what connection in its prose work's significance? In which “thing image” and “writing writing” whether can join mutually, but can carry on the memory the backward, to summon with reappears? The author namely wants to penetrate Jan zhei a series of “hand painted thing image/writing writing” the prose creation, inquires into the Jan prose the hand painted thing image and the writing writing comparison significance. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。