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頁籤選單縮合
題 名 | “紀念俞大綱先生百歲誕辰戲曲學術研討會”紀要=An Overview of Yü Dagang's Centennial Anniversary Conference |
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作 者 | 古嘉齡; | 書刊名 | 民俗曲藝 |
卷 期 | 160 2008.06[民97.06] |
頁 次 | 頁197-231 |
分類號 | 982 |
關鍵詞 | 俞大綱; 戲曲; Yü dagang; Chinese opera; |
語 文 | 中文(Chinese) |
中文摘要 | 爲紀念俞大綱先生,文建會於2007年5月以「戲曲」爲主題,舉辦「紀念俞大綱先生百歲誕辰戲曲學術研討會」。其議程分爲:專題演講一場,以紀念俞先生對臺灣戲曲現代化之貢獻;論文子題七項,分別是「戲曲研究的新資料、新發現與新觀點」、「儀式戲劇」、「戲曲音樂」、「臺灣戲曲」、「戲劇理論」、「戲曲現代化」、「古劇新讀」。綜觀此會,足以窺見近年來戲曲研究的小縮影,筆者以爲其要點有:一、儀式劇的持續探索,戲曲研究回歸原生月脈絡,已普遍被學界所接受;二、以文物考古的新發現重建豐富劇場史,「山西幫」依然掌握了考古新發現的發言權;三、以田野調查獲得一手資料,填補現存文獻的諸多空白;四、設法從長久被忽視的文獻中重新挖掘資訊;五、理論運用的豐富,除了凸顯戲曲理論史尚待建構的事實,某種程度也意味着研究者深深的理論焦慮;六、十餘篇對於本土戲曲的探索,顯示出臺灣戲曲研究方興未艾;七、平民文學與國家建構的聯結,依舊爲學者關注的焦點;八、戲曲須經現代化,方有永續傳播與重新再生的可能性;九、新觀點的切入,使老劇種、老劇目有了新奇另類趣味;十、從回顧研究史出發,有歸納,有反省,有新意,亦有顚覆,戲曲研究史其實仍正被我們書寫着。 |
英文摘要 | In May 2007, the Council for Cultural Affairs in Taiwan organized a conference in commemoration of Yü Dagang's Centennial Anniversary. With "traditional Chinese opera" as its theme, the keynote speech of the conference highlights Yü's contribution to the modernization of Taiwan's traditional operas. It was followed by seven panels on various topics. They are, "New Materials for the Study of Traditional Operas: New Findings and New Perspectives," "Ritual Theatre," "The Music in Traditional Opera," "Traditional Operas in Taiwan," "Theatrical Theory," "The Modernization of Traditional Opera," and "New Interpretations of Old Operas." In General, this conference well illustrates the academic endeavor infused in the field in recent years. The key points of the event are 1) with persistent enquiry into ritual theatre, studies of traditional opera explore its origins, which approach has been widely accepted by the academic circle; 2) newly unearthed archaeological findings help reconstruct and enrich our knowledge of the history of theater. In this respect, the so-called "Shanxi school" still dominates the field; 3) first-hand data collected from field investigation supplement information from existing literature; 4) There are attempts to unearth new information from some long-forgotten literature; 5) while the diversification of theoretical application reflects the inadequate historiography of the theory of traditional opera, it also exposes the researchers' theoretical anxieties; 6) the ten-odd papers on Taiwan's traditional operas indicate that the study of them is gaining strength; 7) the relation between commoners' literature and the construct of a nation is still many scholars' concerns; 8) only through modernization can traditional opera perpetuate and regenerate itself; 9) introduction of new perspectives breathe new life into old styles and old works; 10) reappraisals of the research history include summarizations, reflections, innovations and subversive notions, which means that the research history of traditional theater remains to be re-written. |
本系統中英文摘要資訊取自各篇刊載內容。