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題 名 | 誰是誰的天使--從法農的書寫觀看《衝擊效應》=Who Is the Angle?--From Frantz Fanon to 《Crash》 |
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作 者 | 李毓玲; | 書刊名 | 人文社會學報. 國立臺中技術學院 |
卷 期 | 5 民95.12 |
頁 次 | 頁119+121-131+133 |
分類號 | 541.3、541.3 |
關鍵詞 | 弗朗茲‧法農; 黑皮膚,白面具; Frantz Fanon; 電影; 種族主義; 殖民主義; 後殖民主義; Film; Racialism; Colonialism; Post-colonialism; |
語 文 | 中文(Chinese) |
中文摘要 | 本文書寫方式是將法農在《黑皮膚,白面具》一書中所提到的,因為白人文明、歐洲文化,在黑人與有色人種身上強加了上一些存在的偏差後,所造成的各種心理面向加以分析。並與2006年獲得美國影劇學會頒發的奧斯卡「最佳原著劇本獎」與「最佳影片獎」的傑出作品《衝擊效應》,就在劇本內容及結構相比較,發現這兩種不同時期、不同表現方式的作品,在歷經五十多年之後,竟然還存在著相同的種族偏見與歧視,進而探討有色人種看待白種人與有色人種如何看待自己人的一些深層心理結構的問題。本文除了在內容中闡述《黑皮膚,白面具》的主要精神外,並且深入探討法農書寫此書的時代背景,希望這本被譽為"後殖民主義的先聲"的精采作品,能夠得到更多人的接受與認同。另外,並以較長的篇幅著手分析法農書中的主要精神與《衝擊效應》的對應實例,分為:1.「黑色心靈」是白人人為的製造。2.黑人與語言。3.人類相同的墮落及敗壞。4.黑男與白女:探討黑男喪失主體性的精神焦慮與情感錯亂等四組對應實例,作為彼此的觀看。法農是一位精神科醫師、心理分析家,更是一位厭惡妥協、厭惡懦弱的行動家。上個世紀的五十多年前,他早就以自身的矛盾折射出西方世界大言不慚的自圓其說;而來自西方的導演兼編劇保羅﹒海吉斯,更是以其敏銳的觀察力、從社會學家的關懷與視野取鏡,膽大心細的從許多複雜的心理層面切入,完成了這部傑出的電影作品。法農早已為理想犧牲,現代電影繼續追擊,就看政客們何時覺醒! |
英文摘要 | First of all, the thesis analyzes the psychological aberration of black people caused by enforcement of European culture and western civilization by means of the book of Black Skin, White Masks (Frantz Fanon, 1952). And, by comparing the content of book with the screenply and structure of the film "Crash", the Best Picture and Best Original Screenplay of 2006 at the 78th Academy Awards, the authors concludes that even with different the background era and the presentation, 50 years apart, racial discrimination, bias against colored races, and self-identity of colored races are still existing in those two works. The author not only states the essence of the book but also explores the background of the era, hoping that the book, an advocate of post -colonialism, can be accpeted and appreciated by more readers. Furthermore, the thesis, an implement of Crash and BlackSkin, White Masks, focuses on four parts: 1.the black soul: created by white men; 2. Black people language; 3. the corruption of humanity; 4. black males and white females: a discussion of the lack of self-identity and anxiety of black males. Frantz Fanon, a psychiatrist, psychologist, and an actor who disguised compromise and dastardliness, had argued the opinions of western world by reftecting his self-contradiction. And Paul Haggis, with his sensitive observation and carefulness, directs the film from the point of view of complex psychological aspects. Frantz Fanon devoted himself to his ideal, but the modern masterpiece has continued his work to rouse the politicians. |
本系統中英文摘要資訊取自各篇刊載內容。