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題 名 | 臺南縣鹽分地帶演劇活動之研究=Research on Theatre Activity in Yen Fen, Tainan Hsien |
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作 者 | 陳靜琪; | 書刊名 | 興大人文學報 |
卷 期 | 33(下) 民92.06 |
頁 次 | 頁961-995 |
分類號 | 982.9832 |
關鍵詞 | 鹽分地帶; 演劇; 廟宇; 神祇; Yen Fen; Theatre activities; Temples; Gods and goddesses; |
語 文 | 中文(Chinese) |
中文摘要 | 連橫於《臺灣通史.序》中言:「臺灣固海上之荒島爾。荷人啟之,鄭氏作之,清代營之。」連氏之語,說明了臺灣初期開創與發展的歷史。臺灣先民們早期由中國大陸閩粵沿海一帶,冒險犯難,渡過洶湧的臺灣海峽,移居來臺;當他們一方面與充滿瘴癘之氣的環境博鬥之際,另一方面他們建置廟宇祠寺,供奉神明,並以此為重心,推展其移居時一併攜植來臺的宗教信仰、風土習俗、人倫禮教、休閒娛樂等人文活動;並隨經濟狀況的改善,先民們鳩工整建,使其美觀。而每逢神祇聖誕、歲時節序、婚慶壽喜等重要活動,則請劇團演劇以慶,誠為地方之盛事。是故,演劇活動及民間社會、經濟與文化之浮標號記。 鹽分地帶係臺南縣沿海之六鄉鎮,其開發始自清末明初鄭成功父子,乃臺灣先民來臺最早定居拓墾所在,保留許多先民們當初自中國閩粵一帶攜植而來且融合在臺奮鬥的生活經驗而衍成的宗教信仰、風俗習慣。因此以其作為研究對象,從其演劇活動之探討,一則追溯臺灣早期演劇活動之傳統風貌及其於時代腳步中變遷情形;再則從演劇活動與社會脈動的融合之有機映中,一窺臺灣民間人文價值觀與思維內涵之多元情狀。 |
英文摘要 | Lien Heng, the writer of <General History of Taiwan>, stated in the preface of the book, “Taiwan is an isolated island in the sea. The Dutch started to cultivate the land, Koxianga led his men to develop it, and the government of Ching Dynasty continued the management.” Mr. Lien’s words depicted the history of Taiwan’s early establishment and development. The early settlers of Taiwan came from the Coastal provinces of Fukien and Kuangtung in mainland China. When they cleared the land and fought against the vicious natural environment, they also built temples and shrines to worship gods and goddesses. They emphasized and promoted the activities of their religious belifes, customs, ethics and etiquette, social economy, and recreation, which they brought with them while moving to Taiwan. Therefore, temples and shrines represented the existence, livelihood, and value of life of those early settlers. And theatre activities were the embodiment of this philosophy and also the important symbol of economy, society, religion, and culture of the agricultural era. Yen Fen, Tainan Hsien was the earliest settlement area in Taiwan. Near the sea, the soil of this area was not fertile, and thus the people had a poor livelihood, but they were hard-working and frugal. For reliious and social activities such as birthdays of gods and goddesses, festivals of four seasons, wdding ceremonies and birthday parties, the people usually gathered money to have drama performance to thank gods or gooddesses and also invited their friends and relatives to return to this area for a re-union meal. Those were big local events, and theatre troupes played an important role. However, changes came with the passage of time. In the 21st Century, the people of Yen Fen continue the traditional cultural activities, but their theatre activities reveal signs of changes. Therefore, this article is to make to further research on the cultural meaning and educational function of theatre activities in Yen Fen, Tainan Hsien, and also to take a glance at the traditional living style and changes of Taiwan society. |
本系統中英文摘要資訊取自各篇刊載內容。