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題名 | 論〈霍小玉傳〉中的「否定性」--以伊瑟爾的接受美學理論為依據=A Discussion of "Negativity" in "A Biography of Huo Xiao-yu"--Based on Wolfgang Iser's Reception Theory |
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作者 | 蔡慧崑; | 書刊名 | 博學 |
卷期 | 6 2007.07[民96.07] |
頁次 | 頁37-61 |
分類號 | 823.3141 |
關鍵詞 | 霍小玉傳; 伊瑟爾; 接受美學理論; 空白; 否定; 否定性; A Biography of Huo Xiao-yu; Wolfgang Iser; Reception theory; Blank; Negation; Negativity; |
語文 | 中文(Chinese) |
中文摘要 | 本論文站在讀者的立場,運用沃爾夫岡.伊瑟爾(Wolfgang Iser)的接受美學理論(Reception Theory)來析論〈霍小玉傳〉閱讀過程可能蘊含的「否定性」(Negativity),從而詮釋小說的意義。 在閱讀過程中,讀者察覺小說本文(text,亦譯為「文本」)與唐代史實之間的差異,並適時調節自己對愛情故事的主觀期望。「空白」(Blank)和「否定」(Negation)激起讀者的想像力,使其對李益與霍小玉兩人行為及性格的「變形」(Deformation)提出問題並尋找答案,進而促成本文意義的具體化。以是,李益負心背約、霍小玉為愛執著乃至兩人愛情不圓滿的結局,都成為讀者必須聯結的本文圖式。唐代社會重視出身門第、進士浮華放浪成習、唐人假小說以攻擊政敵等實質性問題,則是「否定性」產生的根源,它們為讀者的「第一級否定」概括表明,被「第二級否定」所實現。 〈霍小玉傳〉的本文經由閱讀而被建構成一個生動的藝術客體,此刻,讀者原本懷疑、憤慨、恐懼、憐憫等閱讀情緒,將轉化為崇敬或驚羨的快感(pleasure),昇華成意味深長的、「崇高」(Sublime)的審美感受。 |
英文摘要 | This paper stands in readers' position, uses Wolfgang Iser's Reception Theory to analyzing the “Negativity” when we read “A Biography of Huo Xiao-yu”, and interprets the meanings of this novel. Readers find out the difference between the text and the fact in Tang Dynasty when they read, and adjust the subjective expectation for love story in good time. “Blank” and “Negation” arouse readers' imagination, and make them to ask questions and find out answers at the same time, for the “Deformation” in Li Yi's and Huo Xiao-yu's actions and characters, and promote the concrete meanings. Therefore, Li Yi's ungrateful, Huo Xiao-yu's inflexible for love, and not perfect ending all become the plot than readers have to connect by themselves. The actuality like the family status, the bookman's debauching fashions, and attacking political opponents by writing novels, are all the origin of “Negativity”. They are pointed to by readers' “The First Negation”, and are carried out by “The Second Negation”. An lively artistic production is build of the text through reading. At this moment, readers' feelings like doubts, anger, fear, and sympathy will change into respectful or admiring pleasure, and then evolve into the deep and “Sublime” vibrations. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。