頁籤選單縮合
題 名 | 初世都太夫一中の人物像=初世都太夫一中的人物像=The Essay about the Miyako Tayu Icchuu (I)'s Portrait |
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作 者 | 小俣喜久雄; | 書刊名 | 外國語文研究 |
卷 期 | 3 民95.01 |
頁 次 | 頁35-59 |
分類號 | 946.1 |
關鍵詞 | 一中節; 都太夫一中; 近松門左衛門; 紀海音; 浄瑠璃; Icchuu-bushi; Miyako Tayu Icchuu; Chikamatsu Monzaemon; Kino Kaion; Joruri; |
語 文 | 日文(Japanese) |
中文摘要 | 初世一中所創造的「一中節」,為江戶時代元祿年間流傳的淨瑠璃流派之一。它受到古淨瑠璃的「角太夫節」流派之影響,成為後來豐後節.常磐津節.富本節.清元節等之流派。同時它亦是「強硬派」淨瑠璃相反之「溫和派」淨瑠璃之鼻祖。因此「一中節」在近世淨瑠璃中扮演重要角色。 本論文根據明福寺之亡魂名冊.演員評論.文學記載等資料,探討他的為人與品德。 |
英文摘要 | ICCHUU-BUSHI, which is one of the schools of joruri (a dramatic narrative chanted to a samisen accompaniment) started to be transmitted from EDO Era. It became the original school of BUNGO-BUSHI, TOKIWAZU-BUSHI, TOMIMOTO-BUSHI and KIYOMOTO-BUSHI after being influenced by KAKUDAYUU-BUSHI of ancient joruri. ICCHUU-BUSHI had an important position recently. The essay is about ICCHUU-BUSHI’s inaugurator—Miyako Tayu Icchuu (I), who left monks to invest lots of time in literature. I investigate the left description about Miyako Tayu Icchuu (I) from his birthplace—MYOFUKU-JI temple’s register, evaluation of performers at that time, literature and so on, and discuss his portrait. |
本系統中英文摘要資訊取自各篇刊載內容。