頁籤選單縮合
題名 | 海德格、詩禪一致與跨文化美學=Heidegger, Zen's Poetic Thinking and Inter-cultural Aesthetics |
---|---|
作者 | 賴賢宗; Lai, Hsien-tsung; |
期刊 | 藝術論壇 |
出版日期 | 20050500 |
卷期 | 3 民94.05 |
頁次 | 頁59-88 |
分類號 | 180 |
語文 | chi |
關鍵詞 | 海德格; 詩禪一致; 意境美學; 十牛圖; 禪美學; Zen aesthetics; Heidegger; Martin Heidegger; Aesthetics of Yijing; Liu James J. Y.; Liu Jo-yu; |
中文摘要 | 我在文分為四節討論詩禪一致所包含的意境美學,並接續海德格與王國維關於中西比較美學的討論,而論述意境美學對於跨文化美學的意義。本文共有下列四節:1.詩禪一致、意境詩學與德格的存有思想,2.與禪的意境美學的基本內涵:以十牛圖頌、唯識哲學、境界美學與佛教詮釋學的關係為解釋的中心,3.意境美學的仦械地位與東西美學,4.意境美學的系統地位與東西美學。 |
英文摘要 | In this article I investigate the topic of the correspondence between Zen and chinese poetry and explicate the aesthetics of Yijing (intention and world) that is plied in this correspondence. I illuminate the insights of Yijing theory in Chinese tradition and explicate its implication for the comparative aesthetics and intercultural aesthetics. Heidegger’s thinking of Being and art and his concern about Tao and Zen will be tackled. The three moments of Heidegger’s thinking about Being of art will be explicated and compared with the three moments of the Chinese aesthetics of Yijing. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。