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題名 | 論電腦燈光與表演藝術之結合=The Integration of Moving Lights and Performing Arts |
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作者姓名(中文) | 劉權富; |
作者姓名(外文) | Liu, Chuan-fu; |
書刊名 | 戲劇學刊 |
卷期 | 2 民94.07 |
頁次 | 頁131-146 |
分類號 | 981.35 |
語文 | chi |
關鍵詞 | 電腦燈光; 舞臺; 表演; 導演; 燈光設計理論; Moving-lights; Stage; Acting; Directing; Theory of lighting design; |
中文摘要 | 電腦燈的問世可以說是劇場燈光設計的再啟發,無絊燈光不再只是靜態的照明,取而代之的是繁複而璀璨的動態光影視覺效果,所有使用此類照明媒介的燈光設計者都應該認真的思考光與表演藝術元素之間新的互動關係,雖然燈具提供不可計數的光影組合效果,不知所為地或盲目濫用這些燈具反而可能阻礙其在舞臺上的發展。 使用電腦燈光不當,不但干擾觀賞樂趣,同時破壞整體視覺。如何減少移動光束對舞臺畫面的干擾形成一大課題。本文為個人經驗及思之所得,希望為數世代的燈光設計從業者提供給合電腦燈光與表演藝術的一些參考資訊。 |
英文摘要 | The invention of Moving Lights is an inspiration in stage lighting design. With this development, lighting is no longer static but instead becomes complicated and brilliant moving illumination. The lighting designer has to contemplate the interactive relationship between the lighting and performing arts seriously when he sues Moving-lights-although these illuminations proved infinite effects, their development can be an impediment if not used in properly. It is unbearable for an audience to accept a show with incessant interruption—such incompetent lighting destroys the visual aspect of performing. Therefore, avoiding distraction from Moving-lights becomes a major task of the lighting designer. Creating a smooth and comfortable integration of Moving-lights and performing arts becomes a principal mission for the lighting designer in the digital era. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。