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題名 | Magic Capitalism and Melodramatic Imagination--Producing Locality and Reconstructing Asian Ethnicity in Karen Tei Yamashita's Through the Arc of the Rain Forest=魔幻資本主義與通俗想像--山下凱倫《穿過雨林的弧線》中的在地性生產與亞裔族裔性重構 |
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作者 | 陳淑卿; Chen, Shu-ching; |
期刊 | 歐美研究 |
出版日期 | 20041200 |
卷期 | 34:4 2004.12[民93.12] |
頁次 | 頁587-625 |
分類號 | 874.57 |
語文 | eng |
關鍵詞 | 魔幻寫實; 通俗想像; 在地性生產; 亞裔族裔性; Magic realism; Melodramatic imagination; The production of locality; Asian ethnicity; |
中文摘要 | 本文討論日裔美籍作家山下凱倫《穿過雨林的弧線》一書中的在地性生產。小說以在地社會空間化的兩個過程:去地域化與再地域化,來呈現在地性的生產。山下的敘述結合魔幻寫實與通俗想像來鋪陳跨國資本主義對邊緣在地的正負衝擊所產生的不穩定、裂痕、及不協調的狀況。小說的魔幻敘述點明去地域化的詭譎離奇特質;它的通俗敘述模式則揭露在地人民與全球化狀態周旋的再地域化過程。通過對再地域化的討論,本文試圖描繪亞裔族裔性的重構。小說的亞裔族裔性被重新定義為足以挑戰西方資本主義暴力,補足西方資本主義留下的傷痕和欠缺的文化生產機制及社會中介,亞裔族裔性通過連結家庭價值與與私有空間的情感想像與文化生產而得以重新組構,小說對在地性生產的觀照打開了一個連結魔幻資本主義與通俗想像的敘述結構。 |
英文摘要 | This paper investigates the production of locality in Karen Tei Yamashita’s Through the Arc of the Rain Forest (1990). The production of locality as dramatized by the novel consists of two phases of local spatialization in the context of time-space compression: deterritorialization and reterritorialization. Yamashita employs a specific narrative style that wavers between magic realism and melodrama to address the uncertainty, rupture, and incongruity derived from the condition in which transnational capitalism exerts both negative and positive impacts on local places in the margin. While the novel’s magic realist narrative mode manifests the uncanniness of deterritorialization, its melodramatic mode of narrative seems to reveal the process of reterritorialization with which the local people come to terms with the condition of globalization. It is within the process of reterritorialization, I contend, that the issue of Asian ethnicity can be investigated. In the novel, Asian ethnicity is redefined in materialistic terms to serve as social agents and means of cultural production whose power of mediation both challenges the violence of Western capitalism and supplements the rupture and the gap Western capitalism leaves behind in the local place. Asian ethnic specificity is thus reformulated by means of weaving family value and domestic cultural and imaginary production together. The novel’s engagement with the production of locality, consequently, opens up a discursive and imaginary pattern that patches/matches the odd couple of magic capitalism and melodramatic imagination in an Asian style. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。