頁籤選單縮合
題 名 | Constructing Women in Han Ballads, Southern Dynasty Folk Songs and Palace-Style Poetry |
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作 者 | Hsiung,Ann-Marie; | 書刊名 | Tamkang Review |
卷 期 | 25:1 民83.秋 |
頁 次 | 頁101-115 |
分類號 | 821.731 |
關鍵詞 | Male perspective; Patriarchal society; Confucian ideology; Voyeurism; Emperor Liang Jian-wen Hu-ji; Mulberry tree on the field path; The palace guard officer; The one I love; Luo-fu; |
語 文 | 英文(English) |
英文摘要 | This paper is a feminist study of Chinese poetic aesthetics. It traces the evolution of the image and “voice” of woman from Han Ballads (where women are more outspoken in refusing unwanted seduction and the “male gaze”) to Southern Dynasty Folk Songs (where women are portrayed as more passive), to palace-style poetry (where women are depicted as refined objects subjugated to male aesthetic desires). The image of women in love, as well as women loved, is also described. For example, in palace-style poetry woman’s love is described as relatively suggestive and demure. The author also notes a change in diction and style from the colloquial folk songs to the polished elaborate palace style. |
本系統中英文摘要資訊取自各篇刊載內容。