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題 名 | 《亞細亞的孤兒》vs.《向前走》--談臺灣流行音樂研究的瓶頸與願景=Asian Orphan vs. Go Forwards--Limitations and Prospects of the Research in Taiwan's Popular Music |
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作 者 | 徐玫玲; | 書刊名 | 關渡音樂學刊 |
卷 期 | 2 民94.06 |
頁 次 | 頁51-69 |
分類號 | 913.6033 |
關鍵詞 | 流行音樂; 民謠; 音樂品味; 美學; Popular music; Folk-song; Musical taste; Esthetics; |
語 文 | 中文(Chinese) |
中文摘要 | 臺灣流行音樂的研究可以解嚴前後作一重要的區隔。1987 年以前,有關臺灣流行音樂多以「報導」,或歌譜的出版為主;1987 年後,因為政治社會的開放與自由,引發學術上對此議題高度的關注。許多的專書與論文以音樂、歌詞分析、流行文化、媒體、社會學等不同的觀察點切入,呈現這個與台灣社會、政治變遷極度糾葛的音樂現象。 回顧這豐碩的研究成果,仍可發現有許多研究上的瓶頸,是當時應映檢查制度之無法也?還是學術上資料不足的疏失?亦或是不適當立論的重覆引用?這些疑問,是本論文期望能再一次檢視的。引西方 (特別是德國) 流行音樂研究重要著作之介紹,盼能提供臺灣流行音樂研究的反思,並對未來探討的新願景有所助益。 |
英文摘要 | The popular Music in Taiwan could be roughly divided into two periods by lifting of martial law. Before 1987 there were more attentions on “reports” about Taiwan’s poplar music or on the publication of songs. After 1987 because of the liberalization and an opening mind of our society, it took main attentions of academic papers. Many books and articles were written in many different points of view, - in music itself, in lyrics analysis, in popular culture, in media broadcasting, in sociology - to study these musical phenomena, which are developing together with Taiwan’s society and political evolutions. Reviewing the plenty results of the research in this field, there are many branches, which are not well studied or have meet the bottlenecks. Is this the consequence of the political control, of the insufficiency of academic documentations, of repetitious quoting improper theories? In this article the above questions will be reviewed. With the introducing the important western (especially German) literatures about the popular music research this is the opportunity to help this theme to reach a new level and to sketch a new perspective. |
本系統中英文摘要資訊取自各篇刊載內容。