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題 名 | 世俗的救贖?:論張派作家胡蘭成的超越之路=Profane Redemption?: Hu Lancheng's Transcending Way |
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作 者 | 黃錦樹; | 書刊名 | 中山人文學報 |
卷 期 | 13 民90.10 |
頁 次 | 頁63-83 |
分類號 | 823.6 |
關鍵詞 | 女人; 興的拜物教; 超越者; 宗教性; 超越之路; 世俗; 民間; Women; Fetishism; Way to transcend; Religiosity; Profane; Folks; |
語 文 | 中文(Chinese) |
中文摘要 | 本文企圖在現代中國性的認識脈絡下處理胡蘭成特殊的唯美主義,它的來源和意識型態性格。在策略上以他對女人的債務為切入點。先以朱天文對胡蘭成未竟之作《女人論》的完成,以朱天文的色情烏托邦來解構胡蘭成的禮樂烏托邦;穿透他的審美表象體系,回到現代文學史上他和張愛玲的情緣公案,指出那其實是個宗教性事件,一直沒有充分解碼的《今生今世》恰可作為其僭越為超越者自證。並指出胡的唯美主義及其基本面向(興感、民間性等)其實均不脫張愛玲的洞察見識。 |
英文摘要 | This paper attempts to criticize the aestheticism of Hu Lancheng in the context of modern Chineseness by exploring its origin. My focus is on Hu's indebtedness to women, especially to two modern Chinese female writers, Eileen Chang [Zhang Ailing] and Zhu Tianwen. I argue that Zhu's novel Notes of a Desolated man is a unique attempt to finish her mentor's incomplete projects, "On Women" and "On Chinesse Women." Interestingly, in her novel Zhu deflects Hu's Utopia of ritual propriety-music to an erotic Utopia. The paper also examines Hu's representation of aestheticism by returning to the primal scene of the Chang-Hu love affair, and reads it as a religious/mythological event. Hu's My World and My Life is likewise read as his ambitious book to transcend Chang. The paper concludes that Chang is the source for of Hu's system of aestheticism. |
本系統中英文摘要資訊取自各篇刊載內容。