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題 名 | Blazing Their Own Trails---Spiritual Discoveries and Metamorphoses in Thelma & Louise, Leaving Normal, Desperately Seeking Susan, Fried Green Tomatoes and Housekeeping=拓築自我的生命道路:電影《末路狂花》《伴妳闖天涯》《急尋蘇珊》《油炸綠蕃茄》以及《持家》當中女性角色的自我啟蒙及蛻變成長 |
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作 者 | 賈繼中; | 書刊名 | 英語語言與文學學刊 |
卷 期 | 17 民95.02 |
頁 次 | 頁101-110 |
分類號 | 987.83 |
關鍵詞 | 女性電影; 女性情誼; 女性成長及蛻變; 對父權操控的抗拒; 女性自我認同及獨立; Women's films; Female friendship; Female growth and metamorphosis; Resistance of patriarchal control; Female identity and autonomy; |
語 文 | 英文(English) |
中文摘要 | 1980年代晚期以及1990年代初期好萊塢的電影製片及導演紛紛推出一系列以女性間深厚情誼為主題的電影(以「末路狂花」(The Ima & Louise)、「伴妳闖天涯」(Leaving Normal)、「急尋蘇珊」(Desperately Seeking Susan)、「油炸綠蕃茄」(Fried Green Tomatoes)及「持家」(Housekeeping)為例,探討她們自我追尋及邁向獨立的覺醒歷程,本論文即在透過詮釋分析這些電影中表達的主題來呈現好萊塢當代女性電影不同於1940年代呈現女性角色的方式以及她們在片中經歷的蛻變成長。在以往,特別是1940年代以女性為主要題材的電影,其最後的論述都是在鞏固男性父權的現狀,以(The Dark Mirror)一片為例,這部以鑾生姊妹為主角的電影,透過黑白分明的二元切割描寫,強調最後脫穎而出的必定是柔順、符合男性期待的甜美角色。但是受到1960年代後期民權運動及女權運動等文化衝擊,好萊塢的電影論述也起了革命性的改變,更具爭議性的議題進入電影論述當中,掀起了一股以探討女性為中心議題的電影風潮,女性不再須要以男性為唯一的生命寄託,藉由與同性之間的友誼與互動,一樣可以開創出不一樣的生涯選擇與無限的發展可能。 |
英文摘要 | In the late 1980s and early 1990s, Hollywood filmmakers produced a surge of movies, such as Thelma and Louise, Leaving Normal, Desperately Seeking Susan, Fried Green Tomatoes, and Housekeeping, etc., which almost unanimously centered on reciprocal female bonding and the quest for self-fulfillment and independence. This essay, therefore, aims to explore the growth and transformation of the female characters in these films, which distinguishes them from Hollywood's earlier depiction of femininity. The representation of female characters in women's films of the 1940s records women's eventual assimilation into the patriarchal status quo of domesticity. For example, in The Dark mirror, a double film which portrays the story of twin sisters, we witness how the passive, sweet, socially acceptable sister triumphs over the evil aggressive and more assertive sister. Such dichotomized characterization reinforces the male ideological construction of the female. These films conjure up an ambience in which female viewers are expected to adhere to the patriarchal formulas, that proper femininity is passive, self-effacing, masochistic, and totally devoted to men. Reeling from the impact of the civil rights movement and women's liberation, the traditional norm for the depiction of female characters began to disintegrate. Deregulation in the Production Code made it possible for Hollywood to address controversial and daring issues. It was under such circumstances that women's films experienced a comeback, not only with a new vengeance but with a new outlook and perspective. The new women's films, moreover, go to great lengths to unleash the female potential to achieve self-identity and autonomy. |
本系統中英文摘要資訊取自各篇刊載內容。