頁籤選單縮合
題名 | Amateur Music Clubs and State Intervention: The Case of Nanguan Music in Postwar Taiwan=業餘音樂社團與政府介入:以戰後臺灣南管樂界為例 |
---|---|
作者 | 王櫻芬; | 書刊名 | 民俗曲藝 |
卷期 | 141 2003.09[民92.09] |
頁次 | 頁95-167 |
專輯 | 「亞洲各國之文化政策與傳統表演藝術」專輯 |
分類號 | 915 |
關鍵詞 | 文化政策; 政府介入; 戰後臺灣; 南管; 業餘音樂社團; Cultural policy; State intervention; Postwar Taiwan; Nanguan; Amateur music clubs; |
語文 | 英文(English) |
中文摘要 | 業餘音樂社團在臺灣傳統社會的社群生活中扮演了重要角色,也是傳統藝術代代相傳、賴以為繼的主要管道。然而,在戰後臺灣的環境之中,由於國民政府提倡西方和中國藝術,貶抑臺灣本土文化,再加上臺灣社會快速的西化、現代化、工業化、都市化,導致業餘音樂社團嚴重凋零。七○年代以來,由於國內外政治局勢的轉變,國民政府開始重視臺灣本土文化建設,並提出種種政策來保護提倡傳統藝術。在各項傳統藝術中,南管是受到最多扶持的項目之一,這主要是由於臺灣南管音樂崇高的社會地位、不中不臺的政治定位、以及中外學者對其學術價值的肯定。政府對南管樂界的介入始自1980年,並逐漸增加其介入的程度,到了1990年代後半達到其高峰。雖然 政府的介入為南管樂界帶來豐富的資源,但是也導致南管社團生態的破壞、南管音樂水準的下降、以及商管業餘樂人心態的改變。 |
英文摘要 | Amateur music clubs had been an integral part of the communal life in traditional Taiwan society. They constituted the main vehicle through which traditional art forms had been transmitted from generation to generation. In post-war Taiwan, however, amateur music clubs experienced serious decline. This was partly due to the Nationalist government’s cultural policy to promote Western and Chinese art forms and downgrade local Taiwanese culture, and partly due to the rapid westernization, modernization, industrialization, and urbanization that Taiwan society had undergone. In the 1970s, with the change of the political climate both internationally and domestically, the Nationalist government began to pay attention to local culture and to implement a series of projects to promote traditional arts. Among the art forms promoted, nanguan music stood out as one of the best supported due to its high social status, neutral political position, and academic value as recognized by foreign and domestic scholars. State intervention in nanguan started in 1980 and gradually increased its intensity until it reached its peak level in the second half of the 1990s. It has brought many resources to nanguan clubs, but it has also contributed to the deterioration of the nanguan community both in its musical quality and its members’ integrity as amateur musicians. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。