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題 名 | Subjectivity in Caryl Churchill's Fen and Softcops=邱琪兒「沼澤地」與「軟條子」二劇中的主體研究 |
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作 者 | 劉雪珍; | 書刊名 | 中山人文學報 |
卷 期 | 11 2000.10[民89.10] |
頁 次 | 頁1-16 |
分類號 | 873.55 |
關鍵詞 | 阿圖塞; 意識形態; 主體召喚; 傅柯; 權力與知識; 主體; Louis Althusser; Ideology; Hails; Michel Foucault; Discourse and power; Interpellating culture; Subjectivity; |
語 文 | 英文(English) |
中文摘要 | 篇論文探討英國當代女劇作家 Caryl Churchill 八十年代兩部重要著作Fen與Softcops,以阿圖塞 (Louis Althusser) 關於意識形態對主體召喚的理論,以及傅柯(Michel Foucault) 關於權力與知識之相關論述出發,分析Churchill 兩部劇作中若干角色的主體問題。 |
英文摘要 | In addition to participating in a dramatic tradition, Caryl Churchill's work engages two philosophical traditions: Louis Althusser's incorporation of Lacanian psychoanalysis into Marxism, and Michel Foucault's wide-ranging investigations of the relations between discourse and power. Of Churchill's work, although Softcops has a direct and explicit link to Foucault, I am chiefly interested in the implicit links expressed through the play Fen and the echoes with Foucault's discourse theories and their intertextual nature. Therefore, this essay is primarily about Fen, and the references to Softcopsare to support the interpretation of Fen. Churchill's dramas intertextualize interpellating culture and/or discourse in the forms of literary and historical texts, literary characters, and interview dialogue. The theoretical allusions highlight the call of culture dramatized in the plays and also make evident the interpellations at work in the play itself. |
本系統中英文摘要資訊取自各篇刊載內容。