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題 名 | 嵇康生命情調中之美學風格=The Aesthetic Tone and Life Style of Chi Kang |
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作 者 | 何修仁; | 書刊名 | 聯合學報 |
卷 期 | 18 2001.05[民90.05] |
頁 次 | 頁185-198 |
分類號 | 782.831 |
關鍵詞 | 美學風格; 生命情調; 魏晉玄學; 名教; Aesthetic tone; Life style; Wei-Chin Metaphysics; Pedantry; |
語 文 | 中文(Chinese) |
中文摘要 | 中國的美學發展史中,魏晉時期顯得特異而秀出, 以阮籍、嵇康為主的竹林七賢 人物,不論在美學論著與人格風範展現上,都標舉了魏晉美學的高度成就,其中,尤以嵇康 的整體生命形象最為純粹特秀。造成嵇康美學風格與生命性調的完成與展現,因素複雜,但 其中最重要的脈絡主線有二:其一是特定時空背景的社會環境因素所造成,通過歷史擠壓而 成特定的人格美學;其二來自嵇康本身美學思維的高度反省與完成,相映於當日時空背景, 投射出精采漂亮的美學風格。這種美學風格,展現出嵇康此一生命體之可貴,不在繁複細密 的哲學論辯過程,而在從容自在的生命情調,相較當時乃至後世大部分污濁的生命,嵇康的 美暗示著新生的時代意義,通過對嵇康的純美風格與強韌生命情態,進一步可以重新理解魏 晉的歷史意義,並不能單以「亂世」形容之,而是充滿更高的思維與反省。 |
英文摘要 | In the history of Chinese aesthetics, Wei-Chin Period (魏晉時期 ) shines unique and outstanding sparkles. The Seven Outstanding Men in Bamboos (竹 林七賢 ), led by Ruan Chi (阮籍 ) and Chi Kang (嵇康 ), marked the high achievements in aesthetics of this period in terms of the quality of aesthetic works and modeling of characters. Among these distinguished people, Chi Kang presented remarkable picture of life as a whole. The main causes of the uniqueness of Chi Kang's aesthetic tone and life style are as follows: (1) social environment of a certain period of time at a certain place (2) self-reflection and self-fulfillment of his own aesthetic thinking. Chi Kang is beautiful as a being, not because of his own aesthetic thinking. Chi Kang is beautiful as a being, not because of his being good at complex and trivial philosophical debates, but because of his free and easy style of life. In contrast to the foul and chaotic lives, Chi Kang's beauty implies the possibility of rebirth for the contemporaries as well as the offspring. Through the understanding of Chi Kang's pure beauty and stern life, we can look at Wei-Chin Period from another point of view and redefine the historical meaning of this period--we should not just see it as A Time of Chaos, but recognize that it provided the time and space for higher thinking and reflection. |
本系統中英文摘要資訊取自各篇刊載內容。