頁籤選單縮合
題 名 | Ibsenism and Ideological Constructions of the "New Woman" in Modern Chinese Fiction |
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作 者 | Tam,Kwok-kan; | 書刊名 | Tamkang Review |
卷 期 | 29:1 民87.秋 |
頁 次 | 頁95-105 |
專 輯 | Comparative Studies of Chinese and Western Feminism/Femininity |
分類號 | 826.6 |
關鍵詞 | May 4芌period; Identitiy formation; Socialization process; Role-self; Communitarianism; Repression; Mind-body split; Ren-tong; Ibsenism; |
語 文 | 英文(English) |
英文摘要 | The problem of female identity-formation in China is set within the wider context of male and female Chinese identity vs. Western identity-formation. While in the traditional Chinese Confucian view the self is a “role-self”formed through the socializing process and identity is ren-tong, that which makes “me”the same as others, in the West self-identity is grounded precisely in the distinction of “myself”from others. Thus the impact of lbsen and generally of Western ideas on China in the May 4�裴eriod was unsettling: intellectuals and students craved “individual self-edentity”, free from social and cultural repression, but there was no historical-philosophical basis for this new attitude, thus ledsing to confusion in the attempt to construct a new model of the Chinese woman's identity:while women writers like Bing Xin tended to model female identity on lbsen's autonomous Nora (Doll's House), male writers (Lu Xun, Mao Dun) tended to subsume male and female gender identity to a prioritized “national”Chinese identity, and more specifically to see the new “national self”as something that could replace a new “femaleself.”Understanding this history helps us to understand current Chinese/Taiwanese confusions about identity-construction. |
本系統中英文摘要資訊取自各篇刊載內容。