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題 名 | 彈性速度演奏時低音部彈奏之電腦分析研究=Computer Analysis of Bass Playing in Executing Rubato |
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作 者 | 楊淑媚; | 書刊名 | 臺北師院學報 |
卷 期 | 11 1998.06[民87.06] |
頁 次 | 頁603+605-631+633-634 |
分類號 | 911.8 |
關鍵詞 | 彈性速度; 蕭邦; 馬厝卡舞曲; Rubato; Chopin; Mazurka; |
語 文 | 中文(Chinese) |
中文摘要 | 彈性速度(tempo rubato)意大利文術語,曾歷經各時代以速度變化論述為主。 從聲樂曲至器樂曲,它給予演奏者在音樂上的表達常是無確定性。雖被歸納為速度 術語範圍內,但它郤融合表現鋼琴彈奏技巧及音樂性詮釋的藝術美之境界,尤其在 浪漫樂派作品。蕭邦(F.Chopin)於一八三○年完成馬厝卡舞曲(J. M. Luisada)、作品六 之一,在音樂史上首次將rubato這字標示於樂譜上。 本文旨在分析彈性速度演奏時低音部之彈奏,亦即研究在彈性速度演奏時低音 部每拍彈奏時間長短之關係。本研究中選用路易扎達(J. M. Luisada)、宮澤(M. Miyazawa)及甌列尼扎克(J. Olejniczak)三位演奏者分別彈奏蕭邦馬厝卡舞曲作 品二十四之一,由山葉(Yamaha)公司錄音後再特別轉製成自動鋼琴磁碟片(Disklavier) 。本次研究利用麥金塔(Macintosh)電腦,配合演奏家軟體(Performer 3.6 將他們的錄音分析並精確計算低音部每拍之秒數。得到的重要結論主要是低音部每 小節第一拍之彈奏時間都稍有停留或拉長,第三拍之彈奏亦類似;也就是說由於這 細微的時間差別,讓人們意識到樂曲中妝點了些彈性速度。此彈奏法實則與音樂本 身之結構、樂句、節奏、詮釋間有著密切的相互關係。 |
英文摘要 | For generations "tempo rubato", an Italian musical term, has mainly referred to tempo changes. From vocal to instrumental music, tempo rubato gives performers some degree of uncertainty. Although generally considered a term for tempo, tempo rubato blends the performance technique and interpretation to the beauty of the art, especially in the works of the Romantic music. F. Chopin composed the Mazurka Op. 6 No.1 in 1830, which was the first piece known to have a "rubato" mark in the score. The main focus of this study is to analyze the precise duration of each beat in the bass part when rubato is being played. This research is based on recordings of Chopin's Mazurka Op. 24 No.1, performed by three pianists-- J. M. Luisada, M. Miyazawa and J. Olejniczak, with their recordings stored in Yamaha's special Disklavier TM format. A Macintosh computer and the software Performer 3.6 were used to analyze and to determine the precise duration of the performance. The results show that the first beat of the bass part in each measure is always played a little bit longer, and the second longer beat falls on the third beat. These subtle and delicate differences in timing convey to the listeners the effects of rubato during the performance. The essence of the rubato is strongly bonded together with the musical structure, phrase, rhythm, and the interpretation of the music itself. |
本系統中英文摘要資訊取自各篇刊載內容。