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題 名 | The Picaresque in Eighteenth-Century Fiction: A Comparative View of Henry Fielding, Tobias Smollet, and Wu Ching-Tzu=十八世紀長篇小說的picaresque寫作模式:菲爾丁,斯摩萊特與吳敬梓之比較 |
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作 者 | 柯瑋妮; | 書刊名 | 世新大學學報 |
卷 期 | 9 1999.10[民88.10] |
頁 次 | 頁43-69 |
分類號 | 812.7 |
關鍵詞 | 長篇小說; 寫作模式; 吳敬梓; 儒林外史; Fielding, Henry; Smollet, Tobias; |
語 文 | 英文(English) |
中文摘要 | 「儒林外史」是十八世紀(清朝中葉)最優秀的作品之一。雖然近幾年來以「儒林外史」為題的研究增加,但是重點多不是放在文學技巧,而是以探討小說內容與吳敬梓生活的關聯性以及討諭他的政治觀念方面較為豐富。本文利用十八世紀英國文學作家亨利.菲爾丁的「約瑟、安德魯斯」和「湯姆.瓊斯」和托拜厄斯、斯摩萊特的「羅德里克.藍登」與吳敬梓的「儒林外史」等四部作品,以作者的生活與其作品間的關聯互相比較,來瞭解「儒林外史」寫法技巧及探討這本小說的結構。Robert Scholes給picaresque mode的定義是一個單純的人經由長期流浪的各種歷練後,轉變成聰明伶俐市儈的過程。文中首先介紹菲爾丁和斯摩萊特的picaresque寫法,然後就「儒林外史」中以picaresque技巧寫成的段落加以仔細探討,尤其是匡超人的那段。透過這種分析,加上文體組織節奏的研究,更清楚的點出「儒林外史」中摻雜著picaresque的寫作方法。 |
英文摘要 | The Ju-lin wai-shih, or The Unofficial History of the Confucian Scholars, is one of the most outstanding literary achievements of eighteenth-century (mid-Ch'ing) China. Although in recent years it has been a subject of increasing scholarly interest, insufficient attention has been given to its literary technical achievements and it has been examined mainly as a source for biographical information concerning its author Wu Ching-tzu, as well as a source of material for considerations about Wu Ching-tzu's ideological views. In the present study, a comparative approach has been used to investigate the literary techniques and the structure of the Ju-lin wai-shih, employing the same critical process currently applied to the eighteenth-century English literary achievements of Henry Fielding (Joseph Andrews and Tom Jones) and Tobias Smollett (Roderick Random). This study first describes the picaresque mode of Fielding and Smollett--defined by Robert Scholes as a mode in which a naive innocent is transformed through a lengthy, episodic journey into a resourceful rogue. After defining the picaresque elements in Fielding's Joseph Andrews and Tom Jones, and Smollett's Roderick Random, the author proceeds to examine in detail several picaresque accounts in the Ju-lin wai-shih, especially that of K'uang Ch'ao-jen Through this account, as well as through analysis of the novel's structure and rhythm, elements of the picaresque are determined in Wu Ching-tzu's work. The following research discusses the author and structural anomalies of the Ju-lin wai-shih in comparison with the lives and works of Fielding and Smollett; following that comes the central argument, in which the claim is made that the Ju-lin wai-shih has elements which allow it to be labeled "picaresque." |
本系統中英文摘要資訊取自各篇刊載內容。