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題名 | From Protest to Eulogy: Poems of Saunters in Sylphdom from Pre-Qin to the Late Six Dynasties=由抗議到禮贊:先秦至南朝遊仙詩的演變 |
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作者 | 吳伏生; | 書刊名 | 漢學研究 |
卷期 | 18:2=37 2000.12[民89.12] |
頁次 | 頁397-426 |
分類號 | 821 |
關鍵詞 | 遊仙詩; 仙; 模仿; 滑稽模仿; 文體準則; Poems of saunters in sylphdom; Transcendent; Imitation; Parody; Generic conventions; |
語文 | 英文(English) |
中文摘要 | 本文探討遊仙詩這一文體從先秦至南朝的演變過程。通過對此期間五組作品的細微分析,它力圖證明遊仙詩最初作為一種對社會邪惡的抗議,濫觴於楚辭中的「遠遊」。此後遊仙的主題從賦遊離到詩中,個人抒情的成分逐漸增加,對仙境的描寫則逐漸減少。在「遠遊」中遊仙的目的在於超越人世,而在後來的作品中它卻被詩人用來吟詠人世的情懷。在南朝宮廷詩人沈約的筆下,遊仙更成為對朝廷歌功頌德的藉口。這一演變過程揭示了中國詩歌史中文體變化的兩個規律,即模仿(imitation)和滑稽模仿(parody)。前者是對原形作品的繼承和發展,後者則是對它的篡改與修正。 |
英文摘要 | This essay examines the literary evolution of youxian shi 遊仙詩 (poetry of "saunters in sylphdom") from a from of social protest to a form of courty eulogy between the pre-Qin and late Six Dynasties (about 300 B.C to A.D. 587) periods. It explores the formation of its generic conventions, and how they were carried on and subverted in its later development. Through a close analysis of five groups of poems, it demonstrates youxian shi originated from Qu Yuan's 屈原(370-287 B.C.) "Far-off journey" ("Yuanyou"遠遊), which established the genre's fundamental features as colorful descriptions of a celestial journey aiming to transcend human sufferings and frustrations. Later when the youxian motif was transferred to shi 詩 or lyric poetry it underwent some changes. The extravagant descriptions in Qu Yuan's poem, characteristic of the fu 賦 genre, were greatly toned down because unlike fu, shi is generically more suited for self-expression. As a corollary of this stylistic change, its thematic focus also shifted. The lyric subject and his human world gradually assumed a larger role. By the Six Dynasties youxian shi became a poetic mode not dissimilar to eremitic poetry where the poet's feelings and thoughts, not transcendents and their activities, became the central concern. At yet another phase of this evolution, the function of youxian shi underwent a most significant transformation when it was introduced into court literature: it was no longer a form of social protest as during its early stage, but a panegyric on the status quo. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。