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題名 | Genre and Gender Ambiguities in Shakespeare's Young Man Sonnets=莎士比亞「美男子十四行詩」中文類與性別的模稜 |
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作者 | 楊明蒼; Yang, Ming-tsang; |
期刊 | 暨大學報 |
出版日期 | 20000300 |
卷期 | 4:1 2000.03[民89.03] |
頁次 | 頁69-84 |
分類號 | 873.43384 |
語文 | eng |
關鍵詞 | 莎士比亞; 十四行詩; 文類; 性別; 讚美詩; Shakespeare; Love sonnet; Genre; Poetry of praise; Gender; |
中文摘要 | 本論文希望藉由文類與性別的探討,增進對莎士比亞十四行詩的瞭解。 莎士比亞在「美男子十四行詩」中不僅挪用、戲擬傳統文類成規,其對 「美男 子」性別的呈硯更是顛覆傳統。詩作中美男子作為詩人讚美與示愛的對象具有雙 重意義:一方面,傳統上由女性所扮演之愛欲角色在此由男性擔綱;另一方面,詩 人和 「愛人」間之性別角色與權力關係也因而顯得錯綜複雜。這種性別的不確 定性也展現於說話者和美男子間複雜而多變的關係。即使詩人之後將傾訴對象轉 移到女性,其間的衝突仍益加明顯。莎士比亞「美男子十四行詩」中性別與文類 的問題彼此關連、相互糾葛,而這正是莎士比亞寫作十四行詩的切入點。 |
英文摘要 | This paper hopes to shed some light on what Shakespeare is doing in and through hissonnets from the perspective of gender and generic ambiguities. Besides the various ways inwhich the generic references are appropriated so as to comment on the sonnet convention, themost subversive approach undertaken by Shakespeare is his gender representation of theyoung man. The rendition of the beloved as male is a radical twist of the sonnet convention,and the effect is twofold: on the one hand, the erotic function conventionally played by thelady in the love sonnet is here taken by a man; on the other hand, the gender roles and powerrelations between the lover and the beloved become highly complicated. This indeterminacyof gender identity is also demonstrated by the complicated, shifting relationship between thespeaker and the young man in many different ways. When the poet comes closer to theconvention of sonneteering as he turns to direct his addresses to a lady, the conflict is evensharper. The problems of gender and genre in the sonnets are mutually implicating anddestabilizing, and as such they can be regarded as Shakespeare's point of intervention in sonnetwriting. To parody the Petrarchan, courtly sonnet and the poetry of praise, Shakespeareappropriates the gender and generic expectations conventionally associated with the two formsand manipulates them in such a way that they are at once destroyed and transcended. |
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