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題 名 | 心理視覺平衡之量化研究=A Quantitative Study of the Psychological Visual Balance |
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作 者 | 張文智; 方志松; | 書刊名 | 技術學刊 |
卷 期 | 14:4 1999.12[民88.12] |
頁 次 | 頁541-547 |
分類號 | 440.8 |
關鍵詞 | 心理視覺平衡; 對稱平衡; 非對稱平衡; Visual balance; Symmetrical balance; Asymmetrical balance; |
語 文 | 中文(Chinese) |
中文摘要 | 本研究旨在探討心理上的視覺平衡,共進行兩個實驗,第一個實驗為單一向度之 心理視覺平衡測試,第二個實驗為二度空間中之心理視覺平衡測試。 實驗結果顯示:1. 在 單一向度測試中,當右側正方形的面積增加時,視覺平衡點也會由中間往右移動,右側正方 形的面積大小與視覺平衡點由中間往右移動的距離呈二次曲線的迴歸曲線模式,即△ D = 29.6+197A-31.8A �插F在二度空間測試中,當右側圖形的面積增加時,受測者會將右側的圖 形往左邊移動, 其面積與 X 軸移動距離呈線性模式, 即△ D = 443.99-39.56A,但在 Y 軸上變化並無顯著差異。 2. 在單一向度測試時,當右側正方形隨順時鐘旋轉角度增加時, 視覺平衡與旋轉角度間並不相關;在二度空間測試時,受測者會將右側的圖形往左下方移動 ,其旋轉角度與 X 軸移動距離呈線性迴歸模式,即△ X = 378.36+0.386 R,與 Y 軸移動 距離也呈線性模式,即△ Y = -0.375-0.398R, 其旋轉角度與 X,Y 軸移動距離的多元迴 歸結果為△ R = 27+0.43X-0.52Y. 3. 當面積相同時,在單一向度測試中,以三角形的視 覺重量最重,其次依序為梯形、正五邊形、正六邊形、正方形,而圓形最輕;但在二度空間 測試中, 其視覺輕重次序為: 圓形( -41.23 )>正六邊形( -36.92 )>正方形 ( - 36.66 ) >梯形( -34.86 )>三角形( -31.89 )>正五邊形( -31.24 ),這 顯示相同面積不同形狀的基本幾何圖形在二度空間之重量感與單一向度不同。 4. 當左右兩 端為相同圖形之比較時,在單一向度測試中,其視覺平衡點會接近兩圓形之距離的中心點。 但在二度空間測試中, 發現 X 軸中所有測試的右側圖形均明顯的由物理對稱中心點偏左, 也就是愈往畫面中心移動,這顯示人們在二度空間中對相同圖形會視右側圖形較重。 |
英文摘要 | This research aimed to explore psychological visual balance. Two experiments, a one-dimensional psychological visual balance experiment and a two-dimensional psychological visual balance experiment were conducted for the study. The results of the experiments indicated: 1. When the area of a square on the right increased. the visual balance point would shift from the center toward the right in the one-dimensional psychological visual balance experiment. The distance shift toward the right from the center and the increase of the area of the square on the right appeared to be a form of quadratic reclamation curve, which is △ D = 29.6+197A-31.8A ��. When the area of a diagram on the right increased, the test subjects in the two-dimensional psychological visual balance experiment would move the diagram to the left. The distance move on the X-axis and the increase of the area of the diagram on the right appeared to be in a linear formation, which is △ D = 443.99-39.56A. No noticeable difference on the Y-axis was found.2. When the square on the right increased its clock-wise rotation angles, the visual balance point would not move significantly in the one-dimensional psychological visual balance experiment. However, the test subjects would move the diagrams on the right to the lower-right-hand-corner when the rotation angles were increased. The distance for the diagram move on the X-axis and the increase of the rotation angle appeared to be in a form of quadratic reclamation curve, which is △ X = 378.36+0.386 R. The distance move on the Y-axis appeared to be in linear formation, which is △ Y = 0.375-0.398R. The shifting ditances on X, and Y axis and the rotation angle became a multiple reclamation result, which is △ R = 27+0.43X-0.52Y. 3.When the areas are the same, a triangle weighted the heaviest visually in the one-dimensional psychological visual balance experiment. It was followed by trapezoid, right pentagon, right hexagon and square. The circle was the lightest. 4. When comparisons were made based on identical diagrams on both sides, the visual balance point would be in the center of the two diagrams in the one-dimensional psychological visual balance experiment. The test subjects would move the diagrams on the right to the left in the two-dimensional psychological visual balance experiment. This indicated that people would view the right-hand diagram as heavier than the left one in comparing identical diagrams. |
本系統中英文摘要資訊取自各篇刊載內容。