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頁籤選單縮合
題名 | 西洋現代建築中透明性之評析=A Study of Compare the Difference between Literal Transparency |
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作者 | 劉克峰; Liou, Ke-feng; |
期刊 | 建築學報 |
出版日期 | 19960900 |
卷期 | 18 1996.09[民85.09] |
頁次 | 頁103-127 |
分類號 | 920 |
語文 | chi |
關鍵詞 | Literal透明性; Phenomenal透明性; 抽象; 概念化; 反形式; Literal transparency; Phenomenal transparency; Abstraction; Conceptural; Anti-form; |
中文摘要 | 本文試圖澄清由柯林.羅(Colin Row, 1983)和羅伯.史拉特斯基(Robert Slutzsky)所提的"透明性"(TRANSPARENCY: Literal and Phenomenal)。什麼是物理性的「literal」透明?什麼是抽象且反義於實質情境的「phenomenal」透明。首先,本文先探討說明literal透明性與phenomenal透明性,經由建築之外廣義地探討歷史背景中曾呈現的literal媒介於寫實狀態與抽象認知的辨吸。背景上為phenomenal透明性的特徵並非狹義的偏見,並於建築、哲學、文學、繪畫方面在意義上的交待。最後以建築例子探討在玻璃材質與形式架構上的不同程度透明的文學、繪畫方面在意義一的交待。最後以建築例子探討在玻璃材質與形式架構上的不同程度透明的意念。 |
英文摘要 | The paper is an investigation study the difference between Literal Transparency and Phenomenal Transparency. The agent which and acted on this solution was an assay by Colin Rowe and Robert Slutzky, which appeared in the Yale architecture periodical Perspecta in 1963 and offered an interpretation of the device of Transparency in what then seemed quite novel terms. Transparency had been treated somewhat cavalierly I n the lilterature of the Isms. The discuss examined the rather loose terminology to establish two main uses of the word: "Literal" Transparency, which had to do with the display of overlapping, see-through objects on a picture pane, and with the display of parts of a building through large areas of glass or trellis; and "Phenomenal" Transparency, which signified overlap and inter penetration as formal conventions, metaphors, in which there were on transparent materials, no see-through bits, but in which primary geometries submitted to variations through shift and rotation to connote spatial complexity. |
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