頁籤選單縮合
題名 | Abstracting the Nation in Kee Thuan Chye's 1984--Here and Now and the Big Purge: National Allegory or Modernist Theater?= |
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作者 | Lim,Shirley Geok-lin; |
期刊 | Tamkang Review |
出版日期 | 19981200 |
卷期 | 29:2 民87.冬 |
頁次 | 頁119-142 |
分類號 | 838.6 |
語文 | eng |
關鍵詞 | National allegory; Alienation; Dramaturgy; Nation; Bumiputra; |
英文摘要 | The Malaysian dramatist Kee Thuan Chye's plays disrupt the dominant narrative constructed by the Malaysian state of the nation as a Malay-centric, monocultural, monolingual society. Working with modernist dramaturgical devices, the plays work to denaturalize and demystify raced and classed ideologies that normalize social divisions and Malaysian real-politik and to argue for the reconstruction of a just Malaysian society. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。